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Viz Media. p. 164. ISBN 978-1-59116-753-2. ↑ Takeuchi, Naoko (January 1999). "武内直子姫の社会復帰ぱーんち!!(Round 2)" [Princess Naoko Takeuchi's Return to Society Punch!! (Round 2)].

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The background OST has decent tone-setting tracks, but nothing memorable. Half the time, I didn’t even know there was a soundtrack. Then we have the OPs and EDs. I hate them all to varying degrees. The vocals in all of them are unbelievably grating, especially the first OP, which is probably one of my most hated anime songs of all time, let alone this year. The second OP is probably the most disappointing, as it starts off with a kickass grunge-like guitar solo for about 6 seconds before completely shifting gears and eventually succumbing to the problem of bad vocals. Unlike the EDs, the OPs stick, but it’s not out of me finding any appeal in them.
I expected Dororo would lose steam eventually given what I had heard, but I wasn’t prepared for how the show ultimately became less than the sum of its parts. Apart from a few specific complaints, both the overarching narrative and the episodic and bi-episodic narratives are fine. It’s just that anything potentially interesting or emotionally resonant is completely undermined by a lack of cohesion between these two elements and how little impact anything seems to have. The characters certainly don’t help, as those that aren’t shallow archetypes aren’t handled with enough care for their plights to matter.