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[44] Early impressions of the series were positive with the handling of MAPPA's animation, the alterations to Hyakkimaru's portrayal and origins in comparison to Osamu Tezuka's manga and Dororo's personality. [45][46][47] The handling of the tragic relationship between Hyakkimaru and Mio was earned similar response as the former is suddenly developed when meeting Mio though the dark twist was noted that it could negatively affect his future as well as the latter's occupation as a prostitute which was deemed too dark. [48][49][50][51] Although the narrative uses the idea of villain of the week, RiceDigital and Popzara noted that Hyakkimaru changed almost in every episode due to he builds his own identity as he regains parts of his body, noting his meeting with Mio heavily affected his desire to restore his own body rather than defend his own body. [52][53] Dororo's backstory was also noted tragic not only for how the young child suffered following the death of his parents and it was shown how he created a stronger personality in order to fight for her life, acting like a male rather than a girl,[54][55] though Fandom Post found it as obvious knowledge for the audience. [56] His eventual reunion with the bandit Itachi who plans to steal his father's treasure using the map hidden on the child's back was noted for the story more moral tones as despite Itachi's cruel nature, the two protect one another from the young Shiranui. Despite Shiranui's twisted nature as he uses shark-like demons to feed on his preys, he still shows love towards them in tragic tones when Hyakkimaru kills one of them.
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