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And then. The craziest part of the episode that foreshadows the darkness of the story.
A child, an inch away from death, from being eaten by the monster with the most peculiar characteristics that will have importance in the show. The monster can be compared to that of a Manta Ray, a slug and a snake.
[8] According to Ellis, Netflix was very positive about his original scripts that he wrote in 2007, and so he had to only make a few changes to fit the Netflix format while staying true to the version of the script Konami had accepted. [5] Shankar was approached with the opportunity to produce the work, which he took as neither Powerhouse or Frederator sought to restrict his creative vision from Ellis' scripts. [9][10][11][12] Fred Seibert and Kevin Kolde of Frederator Studios also co-produce. [10] The series was animated by Frederator Studios and Powerhouse Animation Studios and directed by Sam Deats. [13][14][15] Trevor Morris composed the show's music. [5] The show's art style was heavily influenced by the work Ayami Kojima did for Castlevania: Symphony of the Night. [8] They also took ideas from director Satoshi Kon's works for character expressions and series such as Cowboy Bebop, Demon Slayer, and Berserk for inserting humor among the more serious elements. [8] The show is produced using 2D hand-drawn animation, taking cues from Ninja Scroll and Vampire Hunter D,[16] with staff members that previously worked on Vampire Hunter D: Bloodlust. [17] The manga series Berserk and Blade of the Immortal were also cited as inspiration, with one of the show's animation directors having previously worked on the Berserk films. [18] The production works closely with Konami, the holders of the Castlevania franchise, who helped to identify small continuity issues but were otherwise very receptive towards the work. [8] The first season represents the first part of the trilogy that Ellis has laid out in 2007.
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