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With the waterfall and pacing through the first episode, the waterfall and what happens after foreshadows what is to come later in the story. EVERYTHING that happens in the first episode is foreshadowing the story within the Abyss. But let me get back to what happens shortly after the waterfall and flower clip. We are introduced to the lighthearted driver of the story and her friend, Riko and Nat. They walk down a path where they see a gondola, foreshadowing that Riko will be going down into the abyss. Then she goes on an excavation to find relics, only to find a dead body in prayer.
And then. The craziest part of the episode that foreshadows the darkness of the story.
A child, an inch away from death, from being eaten by the monster with the most peculiar characteristics that will have importance in the show. The monster can be compared to that of a Manta Ray, a slug and a snake.

[8] According to Ellis, Netflix was very positive about his original scripts that he wrote in 2007, and so he had to only make a few changes to fit the Netflix format while staying true to the version of the script Konami had accepted. [5] Shankar was approached with the opportunity to produce the work, which he took as neither Powerhouse or Frederator sought to restrict his creative vision from Ellis' scripts. [9][10][11][12] Fred Seibert and Kevin Kolde of Frederator Studios also co-produce. [10] The series was animated by Frederator Studios and Powerhouse Animation Studios and directed by Sam Deats. [13][14][15] Trevor Morris composed the show's music. [5] The show's art style was heavily influenced by the work Ayami Kojima did for Castlevania: Symphony of the Night. [8] They also took ideas from director Satoshi Kon's works for character expressions and series such as Cowboy Bebop, Demon Slayer, and Berserk for inserting humor among the more serious elements. [8] The show is produced using 2D hand-drawn animation, taking cues from Ninja Scroll and Vampire Hunter D,[16] with staff members that previously worked on Vampire Hunter D: Bloodlust. [17] The manga series Berserk and Blade of the Immortal were also cited as inspiration, with one of the show's animation directors having previously worked on the Berserk films. [18] The production works closely with Konami, the holders of the Castlevania franchise, who helped to identify small continuity issues but were otherwise very receptive towards the work. [8] The first season represents the first part of the trilogy that Ellis has laid out in 2007.

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^ Loo, Egan (February 9, 2009). "Trigun's Nightow to End Kekkai Sensen Manga". Anime News Network. Archived from the original on February 13, 2019. Retrieved February 24, 2020. ^ 青の祓魔師1 (in Japanese). Shueisha. Archived from the original on July 2, 2013. Retrieved July 18, 2009. ^ 青の祓魔師 30 (in Japanese). Shueisha. That being said, I can't get myself to give this movie a perfect score, due to the fact that I think it took a little too long to win me over. I found myself disliking the movie throughout the majority of it, until my eventual realization, which is my one warning, so I feel I won't be alone on that. A Silent Voice is one of the best movies I've seen so far this year. Show Less Show More kj p Super Reviewer Apr 18, 2017 'A Silent Voice' is the work of Naoko Yamada, a little perplexing as I've not encountered a lot of female anime directors. I was also a little surprised to find out it was also based on a manga by Yoshitoki Oima. The film itself is an endearing tale of living one's life as a young person being affected by regrets and opening up to the world in a more brighter manner than before, but it's also about atonement and reconciling with one's consequences of their actions.