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^ "HUNTER x HUNTER -The LAST MISSION-". Archived from the original on January 11, 2013. ^ "Gekijoban Hunter × Hunter". Box Office Mojo. Archived from the original on March 4, 2016. Retrieved September 30, 2013.

In this manner, Ellis noted that if the other two parts were never greenlit, the first work "doesn't demand the presence of the other two parts for it to work as its own thing". [7] Due to the limited time, Ellis opted to drop Grant Danasty, a pirate character in the game; Ellis noted that besides "the stupid name", he felt the pirate was misplaced in the setting and that the limited run time would not allow him to develop the character fully. [7] Sometime around 2008, work on the production stalled, and entered development hell. [8] Ellis had completed his script in June 2008, and the show's production blog had said in August 2008 that they were shopping around the idea as a theatrical release, but no further updates followed before the blog was quietly deleted. [7] Around 2012, Adi Shankar was approached to direct a live-action version of Ellis' script. Shankar, who at the time had just finished work as executive producer of Dredd, said that the party was looking to make a film in the style of the Underworld films with a similar budget, representative of a small studio with large independent backing. Shankar turned the opportunity down, saying it felt "250 percent wrong", as he had deep respect for the original game and felt the live-action version would not treat it well. [9] Following this, Shankar stepped back from Hollywood to pursue more self-published works, stating that "the major studios were blatantly disrespecting fandom" as a reason he turned down the offer. [9] The show was revitalized when Powerhouse Animation Studios's Sam Deats was able to negotiate a deal with Netflix for the production, using the existing scripts that had been written nearly a decade prior. Powerhouse reached out to Frederator to help with the show's production. [8] According to Ellis, Netflix was very positive about his original scripts that he wrote in 2007, and so he had to only make a few changes to fit the Netflix format while staying true to the version of the script Konami had accepted.

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[111] Cebulski scripted the scenario written by the manga's author Isayama. The one-shot crossover featured Spider-Man, the Avengers and the Guardians of the Galaxy facing off against several Titans, including the Colossal Titan, the Armored Titan, and the Female Titan on the streets of New York City. [112] During Free Comic Book Day 2015, Marvel's Secret Wars preview included an 8-page presentation "Attack on Avengers" by creator Hajime Isayama with art by Gerardo Sandoval. [113] It was announced at the 2015 New York Comic Con that an American comic book titled Attack on Titan Anthology would be published. [114] From January 23 to May 10, 2015, Universal Studios Japan hosted attractions based on Attack on Titan. "The Real" Attack on Titan Experience features a life-size 15 meter tall Eren titan engaging a 14 meter tall female titan in combat. Other attractions include a ground level titan, which visitors can pose with. [115] From May 31 to August 25, 2019, Universal Studios Japan hosted attractions for Attack on Titan as part of the "Cool Japan" program, including "immersive effects on a grand scale" according to editor Shintaro Kawakubo. [116] On July 3, 2019, the NHK BS Premium television station program series Fuka Yomi Dokushokai (Reading Too Much Into the Series Book Club) featured a discussion of the Attack on Titan manga series. Attack on Titan is the first manga ever featured on the program. [117] A musical adaptation of the manga was announced, and is scheduled to premiere in 2023. Shueisha. Archived from the original on October 7, 2017. Retrieved January 29, 2009. ^ One Piece/千年竜伝説 (in Japanese). Shueisha. Archived from the original on February 7, 2016.