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"[55] He praised Madhouse's animation for not only keeping up the dark "cinematic quality of Urasawa's art" but also improving on it, as well as Kuniaki Haishima's score for adding "immeasurably to the
series' hair-raising atmosphere. "[56] Though he noted Viz Media's inability to acquire the original ending theme song due to licensing problems, Kimlinger also called their English dub of the series one of the best in recent memory. [56] Kimlinger praised the series, for "its fidelity to Naoki Urasawa's original manga", commenting that "there isn't a scene left out, only a handful added in, and as far as I can tell not a line of dialogue changed or omitted. Given its faithfulness, fans of the manga will know that the series won't get any better than this, this is as good as the series gets. " As well as for its frequent habit of giving the spotlight to newly introduced characters instead of the main cast. [55][56] He also described the ending of the series as, "we feel vaguely let down when what we should really be doing is glorying in the somewhat messy, yes, but exhilarating final throes of one of last decade's great series". Nonetheless, he considered such an ending to be expected, since "as ambitious and complicated and just plain huge as Monster is, no conclusion is going to be entirely satisfactory. Someone is bound to get short-changed, loose ends are bound to be left dangling, and even if
they weren't, the simple truth is that no climax could ever live up to the series' build-up". [57] References[edit] ^ a b "Naoki Urasawa's Monster Manga Series Returns to Print in New Perfect Edition Release from Viz Media". Viz Media via Anime News Network. 25 June 2014.
Along with Ki Manipulation as a source of power, the artwork and classes are more along the lines of Final Fantasy as opposed to TSR-era Dungeons & Dragons. Warhammer 40,000: The Tau are said to be designed to
appeal to anime fans. The reception was and still is mixed.
This may have less to do with Japanese influence, which is largely present only in their rather Macross-inspired Battlesuit designs and more to do with their perception as a "good" race by many players in a setting famed for its Grim Darkness. The Tau philosophy is also as much or more Japanese than it is Chinese, specifically WWII-era "Greater East Asian Co-Prosperity Sphere" expansionism. The "mecha" design of their battlesuits, vehicles, and power armour is clearly of Japanese pop-culture origin, with a substantial aquatic-form influence. The Eldar are more Japanese-inspired, though the post-Rogue Trader Eldar were explicitly based on organic forms, with an increasingly heavy Art Nouveau influence as the designs evolved. Big Eyes, Small Mouth is an open-ended anime RPG, made in Canada. There were a few series-specific books, in case you wanted to roleplay Tenchi Muyo! for some reason, and you could certainly ignore its anime theme and use it for anything you wanted, but the main appeal behind the game is in roleplaying your own anime series. Chuubo's Marvelous Wish-Granting Engine has most of its artwork being of the animesque "big eyes small mouth" look for its inhabitants. Rather than a conflict intensive focus of most rpgs (though the game is equipped for that), the first genre that the game explores is pastoral slice of life a la Studio Ghibli movie.
