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"Romance Abound! Horimiya to Stream on Funimation This January". Funimation. Retrieved December 21, 2020. ^ "UPDATE: Funimation Titles Now Available on Crunchyroll (3/16)". Crunchyroll. March 1, 2022. Archived from the original on March 22, 2022. Retrieved March 24, 2022. ^ サムライチャンプルー - DVD. JVC (in Japanese). Archived from the original on February 11, 2007.

Siliconera. 8 April 2011. Archived from the original on 14 August 2014. Retrieved 13 September 2014. ^ "SoniComi Game Offers Danganronpa Costumes". Anime News Network. Archived from the original on December 30, 2019. Retrieved December 31, 2019. ^ a b Thouny, Christophe (2009). "Waiting for the Messiah: The Becoming-Myth of "Evangelion" and "Densha otoko"". Mechademia.

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Retrieved February 14, 2021 – via Twitter. ^ Loo, Egan (December 10, 2022). "Demon Slayer Anime's Swordsmith Village Arc Premieres in April With 1-Hour TV Special (Updated)". Anime News Network. Archived from the original on December 10, 2022. Retrieved December 10, 2022. ^ Mateo, Alex (March 1, 2023). "Demon Slayer: Swordsmith Village Arc Anime's Trailer Reveals April 9 Premiere". Anime News Network. Retrieved March 1, 2023. ^ Loo, Egan (June 11, 2023). Musashi then fights the 70 Yoshioka all alone. Although he kills all of them, one of them leaves him with a severe wound. The aftermath of Musashi's solo battle, has him his return to wandering despite being offered the position of mentor. Meanwhile, Matahachi's mother passes away, leaving his son to tell the story of the manga. Musashi's new wandering leads him meet the orphan Iori, whom he decides to raise while dealing with a village with poor fields. Musashi, Iori and Toyozaemon's journey to the retirement estate of Yūsai Hosokawa, Otsū and Jōtarō's situation living with the Yagyū, while Kojirō deals with the Hosokawa. Production[edit] While borrowing content from the Musashi novel, Takehiko Inoue took liberties when writing Vagabond, most notably the fight between the protagonist and the 70 Yoshioka which was one of the hardest to draw. After finishing the basketball manga Slam Dunk, Takehiko Inoue wanted to write something more realistic. He did not find differences between the basketball players and samurais since he claimed that none of them like losing. In retrospect, Inoue's experience with changing demographies feels obligatory as he believes manga authors should challenge themselves. [6] He called Vagabond as an experiment about complex writing.