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Most notably, "Good Times with Weapons", where the boys acquire ninja weapons and subsequently get a massive art upgrade
into Street Fighter-esque badassery. (The
song "Let's Fighting Love" is more or less about how the song makes no sense, especially the Gratuitous English parts. ) And "Chinpokomon", in which the boys' craze over a Pokémon-style hobby turns their eyes into arches when they smile and causes them to spout Japanese gibberish with glee. Bonus points: Trey Parker and Matt Stone speak Japanese so it really is gibberish. "A Song of Ass and Fire" and "Titties and Dragons" has Kenny turning into a Magical Girl, Princess Kenny. Johnny Bravo once had Johnny watching "Clam League 9000", a spoof of Pokémon with a hint of Dragon Ball Z. ReBoot presented a game that simultaneously spoofed both Dragon Ball Z and Pokémon — at the same time. The Fairly OddParents! made-for-TV movie Channel Chasers has Timmy and Vicky surfing through the dimension of television with magical remotes, creating parodies of numerous classical cartoons, two of which are anime. The
first is for Speed Racer's often-joked fast voice acting in the dub. The second is another Dragon Ball Z spoof with a show titled Maho Mushi, portraying a (to Americans) violent fighting tournament and a multitude of beam attacks. The characters' designs change accordingly; Timmy now has bead eyes similar to Krillin while Vicky is dressed like Piccolo.
Scholar Charlotte Hooper argued that "gender intersects with other social divisions such as class, race and sexuality to produce complex hierarchies of (gendered) identities". [44] Hooper argues that institutional practices, such as military combat in war, have greatly defined what it means to be a man. Furthermore, the symbolic dimension, which includes sports, media, current affairs, etc. has "disseminate[d] a wealth of popular iconography which links Western masculinities to the wider world beyond the borders of the state". [45] This is where the ideology of lookism is firmly entrenched
according to Hooper. Similarly, Laura Shepherd suggests that men are required to fit into the "matrix of intelligibility"[46] by acting a certain way, dressing a certain way, and have a mentality that is
devoid of emotion or anything effeminate; if they are successful in becoming the ultimate "man's man" then they are virtually untouchable.
"On Pride and Vainglory" . Meditations On The Mysteries Of Our Holy Faith. Richarson and Son. Schumacher, Meinolf [de] (2005): "Catalogues of Demons as Catalogues of Vices in Medieval German Literature: 'Des Teufels Netz' and the Alexander Romance by Ulrich von Etzenbach. " In In the Garden of Evil: The Vices and Culture in the Middle Ages. Edited by Richard Newhauser, pp. 277–290. Toronto: Pontifical Institute of Mediaeval Studies. The Concept of Sin, by Josef Pieper The Traveller's Guide to Hell, by Michael Pauls & Dana Facaros Sacred Origins of Profound Things, by
Charles Panati The Faerie Queene, by Edmund Spenser The Seven Deadly
Sins Series, Oxford University Press (7 vols. ) Rebecca Konyndyk DeYoung, Glittering Vices: A New Look at the Seven Deadly Sins and Their Remedies, (Grand Rapids: BrazosPress, 2009) Solomon Schimmel, The Seven Deadly Sins: Jewish, Christian and Classical Reflections on Human Psychology, (New York: Oxford University Press, 1997) Slater S. J.
