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[32] Tietje and Cresap quote evidence that suggests there exists "a 7–to–9 percent 'penalty' for being in the lowest 9 percent of looks among all workers and a 5 percent 'premium' for being in the top 33 percent". While accepting that the evidence indicates that such discrimination does occur, the
authors argue that it has been pervasive throughout history and that judgments of aesthetics appear to be a biological adaptation (rather than culturally conditioned) to aid reproduction, survival, and social interaction, allowing people to determine viable mates (level of attractiveness being indicative of health) and the status of others as "friend or enemy, threat or opportunity". The authors also argue that if physical attractiveness can improve a company's success, then awarding people for it is justifiable, as the trait is thus relevant to the job and discrimination only occurs when irrelevant traits are used. In addition, the authors question the practicality of both redressing any
injustices based on lookism and of determining whether such injustices have in fact occurred. Thus the authors conclude that there can be no clear model of injustice in such discrimination, nor would legislation to address it be practicable – "We do not see how any policy interventions to redress beauty discrimination can be justified. "[32] Nancy Etcoff, author of Survival of the Prettiest, argues that human preference for attractiveness is rooted in evolutionary instinct and that trying to prevent it from influencing people would be "telling them to stop enjoying food or sex or novelty or love" and thus argues that "being beautiful and being prized for it is not a social evil. "[33][failed verification] Political lookism[edit] Lookism has been an issue in politics for centuries, with a long tradition in the United Kingdom of "mercilessly exaggerat[ing]" the physical flaws of politicians in newspaper cartoons. [34] In the 1960 US Presidential race between John F. Kennedy and Richard Nixon, it was often believed that Kennedy's more conventionally handsome appearance contributed to his winning more approval in their first televised debate,[35] but some researchers have challenged this widespread idea and argued that Kennedy's appearance had little or no influence. [36] More broadly, research in countries such as Germany,[37] Canada,[38] the United States,[39] and the United Kingdom[40] has found that more attractive candidates benefit from their appearance by getting more votes in elections, and by being more often forgiven for scandals. [41] In terms of vote choice, at least, the effect of lookism is not even across all contexts.
During a stage production, Aqua discovers that he shares the same father with his co-star, Taiki Himekawa, and that he had died by suicide before Ai's murder. However, Aqua learns through Akane that their father may be actor Hikaru Kamiki, who is still alive. At the same time, during shooting for B-Komachi's music video, Ruby finds Gorou's corpse and learns about the culprit behind his and Ai's murders. Both incidents fuel Aqua and Ruby's grudges respectively and motivate them to find their father. However, as they both become increasingly manipulative, Aqua and Ruby find each other at odds throughout their attempts to reach their father, eventually losing trust in each other after Aqua leaks their connection to Ai to the media. With the help of Gotanda, Aqua creates a screenplay for an autobiographical film based on Ai, titled 15 Years of Lies, in hopes of drawing Hikaru's attention. Ruby aggressively and successfully lands the starring role. She is also forced to confront her past when her mother from her previous life ends up being one of the film's sponsors, but this causes her and Aqua to realize each other's true incarnation. Development[edit] Writing[edit] Aka Akasaka considered writing a story about being reincarnated as an idol's child, a well-known joke in Japan often used after news of an idol's marriage is revealed. He later began hearing complaints about the entertainment industry through streamers and working on the live-action film adaptation of his previous manga Kaguya-sama: Love Is War. He decided that it was the right time to create a story about the entertainment industry and used his previous idea.
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