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Mushoku Tensei wants to have its cake and eat it by being a pensive fantasy epic about redemption with immersive worldbuilding whilst incorporating trashy seasonal ecchi power fantasy elements operating on hentai . logic into its narrative. Instead, the former narrative style gets engulfed by the latter because the author can’t help himself and the end result is a sum lesser than the parts that reads like a degenerate fanfiction masquerading as a coming-of-age story. This disconnect plagued the first season and jeopardized any prospect of Mushoku Tensei being a serious story, but the second season thoroughly exposes this tonal and thematic mess as the failed assimilation of the two antithetical storytelling approaches that it is; this season only serving to expand the MC’s forced harem.

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the garden of words (2013)

Fantastic Four: World's Greatest Heroes's overall art style (characters, fights, animation, places) is also influenced by Japanese animation. Miraculous Ladybug, a co-production between French studio Zagtoon and (to no surprise) Japanese studio Toei Animation. The heroine is a Chinese-French Magical Girl who relies on anime-styled transformation sequences; this also applies to Adrien Agreste (Cat Noir) and the characters who become superheroes in the subsequent seasons. It was originally even more anime-like before becoming an All-CGI Cartoon. The original trailer is often compared to Pretty Cure/Glitter Force and featured the protagonist with a huge Idiot Hero, which the anime concept was a complete success. The finalized cartoon is in CGI but still keeps a lot of its Japanese influences (for example, in some of Marinette's trains of thought, her mental images are drawn in the style of black-and-white manga). The 2007 adaptation of Valérian called Time Jam: Valerian & Laureline is another. The Podcats, a French series animated in Canada by the company who did Clash of the Dinosaurs and some of the effects for Underworld: Awakening. Iginio Straffi's shows Winx Club and Huntik: Secrets & Seekers (from Italy) were designed in an anime style, and every character has hair highlights and eyes reminiscent of characters from (respectively) Shoujo and Shōnen series. Both heavily feature transformation sequences. They don't use Limited Animation, though.
Regardless of Ippo's boring fights, there are moments of interesting boxing action. Specifically, the writing and choreography of the fights seem to become levels better when Ippo is not one of the participants. This shows in two places in the show - a short arc about Ichiro Miyata training in Mexico, and the subplot about Takamura Mamoru earning and defending his title. In both of these the viewer finds more complex characters and detailed, well-thought out fights that capitalize on everything their respective subplots have to offer. If only there was more of these sorts of fights and less of Ippo winning not because he deserves it but because he has to win somehow for the plot to progress.
The animation is a real highlight of the show, at least during the fights.
"Middle Reliever to the End- Finisher Hold" 152. "Hurling the Baton at the Anchor" 153. "Road to Fruition" 154. "Pursue the Shadow, and Surpass It Now" 155. "Start Your Hero Time!" 17 April 17, 2024[69]978-4-06-535179-6—— Chapters not yet in tankōbon format[edit] 156. "Starfall: Beyond the Finisher" 157. "Training and Practice Come Together" 158. "Extra Round: Party Time!" 159. "Crowds Thronging at the Untapped Gold Mine" 160. "The Fun Afterparty Disaster (Part 1)" 161. "The Fun Afterparty Disaster (Part 2)" 162.