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Anime News Network. Archived from the original on February 25, 2021. Retrieved November 25, 2019. ^ Loo, Egan (November 27, 2019). "Top-Selling Manga in Japan by Series: 2019". Anime News Network.

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"The Flower Language of A Silent Voice, Part 1: Fireworks and Daisies". Atelier Emily. Archived from the original on June 6, 2017. Retrieved February 22, 2021. ^ ajthefourth (June 2, 2017). "The Flower Language of A Silent Voice, Part 3: Cherry blossoms and the transient nature of all things". Atelier Emily. Archived from the original on September 9, 2019. Retrieved February 23, 2021. ^ Antonio D'angelo (August 14, 2017). "Review: Koe no Katachi (2016)". Obata said that his schedule remained consistent except when he had to create color pages. [10] Ohba and Obata rarely met in person during the creation of the serialized manga; instead, the two met with the editor. The first time they met in person was at an editorial party in January 2004. Obata said that, despite the intrigue, he did not ask his editor about Ohba's plot developments as he anticipated the new thumbnails every week. [7] The two did not discuss the final chapters with one another and continued talking only with the editor. Ohba said that when they asked the editor if Obata had "said anything" about the story and plot, the editor responded: "No, nothing". [9] Ohba claims that the series ended more or less in the manner that they intended for it to end; they considered the idea of L defeating Light Yagami with Light dying but instead chose to use the "Yellow Box Warehouse" ending. According to Ohba, the details had been set "from the beginning". [8] The writer wanted an ongoing plot line instead of an episodic series because Death Note was serialized and its focus was intended to be on a cast with a series of events triggered by the Death Note. [11] 13: How to Read states that the humorous aspects of Death Note originated from Ohba's "enjoyment of humorous stories". [12] When Ohba was asked, during an interview, whether the series was meant to be about enjoying the plot twists and psychological warfare, Ohba responded by saying that this concept was the reason why they were "very happy" to place the story in Weekly Shōnen Jump.
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