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[8] However, as of September 2008 – over a year later – no plans to release the film in the United States had been announced. Similarly, Seville Pictures announced that they would distribute the film to both English and French speakers in Canada, but as September 2008 they have only released a DVD with only the original French dialogue and no English subtitles. [9] Some commentators had theorised that a United States release would be impossible due to Jénane's nipples being visible during a breastfeeding scene early in the film (Kirikou and the Sorceress went unrated to avoid the PG-13 or higher rating it would have received from the Motion Picture Association of America despite the similarly non-sexual nature of the nudity in that film)[10] and the director's refusal to allow his films to be distributed in a censored version; the Weinsteins' apparent dropping of the title seemed attributable to this. [11] However, in early September 2008 it was revealed to have been submitted to the MPAA by Genius Products (a home media distributor then co-owned the Weinstein Company) and received only a PG rating for "thematic material, some mild action and peril," with no explicit reference made to the nudity. [12] The British-dubbed version had its American première at IFC Center in New York City on 17 October 2008, and was distributed in theatres by GKIDS in collaboration with the Weinstein Company and under the shorter title of just Azur & Asmar. It was originally planned to run for one week in New York, before touring to other cities. However, due to the success of the first week (all screenings were sold out)[13] its residency was extended for a second week of screenings. When these too sold out, a "third and final" week was announced. [14] Cities it had toured to included Chicago, Columbus, Tucson, Hartford, Seattle, and Washington, D. C. [13] The film screened at the San Joaquin Children's Film Festival, in Stockton, California from January 16 to 18, 2009.

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Le site est mis à jour quotidiennement et met à votre disposition les derniers épisodes disponibles. L’utilisation est simple et les épisodes sont facilement accessibles. Le design du site est assez réussi, avec une organisation globale et une couleur sombre agréables. N’hésitez pas à le découvrir ! 21-ToutVostfr Toutvostfr. com AnimeVostfrOnline est un site très intéressant qui offre le streaming d’animes en VF et en VOSTFR, ainsi que de films et de dessins animés. Le site est totalement gratuit et offre une très bonne qualité de streaming. Vous y trouverez l’intégralité des animes les plus populaires, comme Naruto, Bleach ou One Piece. AnimeVostfrOnline est un site très bien organisé avec un très beau thème. Le lecteur de vidéos est assez rapide au chargement et il est rare de trouver un épisode manquant. N’hésitez pas à utiliser ce site et à le faire connaître à vos amis fans d’animes. 22-Otaku-Attitude Otaku-attitude. Archived from the original on August 12, 2020. Retrieved September 25, 2018. ^ "Classroom of the Elite (Light Novel) Vol. 5". Seven Seas Entertainment. Retrieved February 16, 2022.
The ED is better than the OP in my opinion.
Art and animation (7/10)
Fights are short and the animation that comes with the more epic scenes definitely outshines any other scenes hence it feels unbalanced, I also do not know why but every scene in the anime seems very 480 p even after turning 1080 p on in many different websites (the exception is the ed ‘ART’ )
A good watch for isekai and power fantasy fans, those who find themselves mostly cringing at the jokes should probably watch for only 3 episodes to see if the plot is strong enough for them to continue onwards. Reviewer’s Rating: 9 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by SpRayquaza11 (108) Show allRead moreShow lessOpen Gift Report Feb 15, 2023 ZNoteTaku Mixed Feelings Stop me if you’ve heard a line like this before – “It’s just like in a manga / anime!”
Being meta is more in vogue than ever. Ever since DreamWorks took it upon themselves to poke fun at the Disney company and the Disney brand with *Shrek* back in 2001 and became a monumentally-successful franchise financially, animated film had more or less entered the realm of metacommentary. It didn’t take long for Disney to follow suit; starting with *Enchanted* in 2007 and then expanding that into the soul-sucking exercise of their live-action remakes of the recent years (if not also including choice lines in others like .