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Les Carnets de l'Apothicaire mettent en avant une jeune fille, Mao Mao, qui a été élevée aux quartiers des plaisirs et qui, suite à son enlèvement, se retrouve servante à la cour intérieure. Ses qualités intellectuelles, notamment sa formation d'apothicaire, font d'elle une personne précieuse dans ce nid de serpent. Très vite, elle est repérée par le beau Jinshi, un "eunuque" androgyne, intendant de la cour Intérieure, qui la met au service de Gyokuyo, l'une des quatre concubines de haut rang, que l'on cherche fréquemment à empoisonner. Sa connaissance des poisons font d'elle une goûteuse des plus indiquée. Quant à sa perspicacité, elle permet à Jinshi de lui soumettre régulièrement plusieurs énigmes. Ces énigmes font la plupart du temps la taille d'un chapitre, voire de trois. Quelques uns reviennent après quelques chapitres, voire après quelques tomes. D'autres restent encore non résolues et nous promettent des suites intéressantes. On ne sait pas par exemple qui a tenté d'empoisonner Gyokuyo à deux reprises. On ignore l'identité de Jinshi et son véritable rôle à la cour intérieure. Comme on se doute qu'il a un lien avec dame Aduo et son enfant mort trop jeune.

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Other leading members of Sunrise's creative team were screenwriter Keiko Nobumoto, character designer Toshihiro Kawamoto, mechanical art designer Kimitoshi Yamane, composer Yoko Kanno, and producers Masahiko Minami and Yoshiyuki Takei. Most of them had previously worked together, in addition to having credits on other popular anime titles. Nobumoto had scripted Macross Plus, Kawamoto had designed the characters for Gundam, and Kanno had composed the music for Macross Plus and The Vision of Escaflowne. Yamane had not worked with Watanabe yet, but his credits in anime included Bubblegum Crisis and The Vision of Escaflowne. Minami joined the project as he wanted to do something different from his previous work on mecha anime. [23][33] Concept[edit] Cowboy Bebop was Watanabe's first project as solo director, as he had been co-director in his previous works. [36] His original concept was for a movie, and during production he treated each episode as a miniature movie. [37][38] His main inspiration for Cowboy Bebop was the first series of the anime Lupin III, a crime drama focusing on the exploits of the series' titular character. [23] When developing the series' story, Watanabe began by creating the characters first. He explained, "the first image that occurred to me was one of Spike, and from there I tried to build a story around him, trying to make him cool. "[36] While the original dialogue of the series was kept clean to avoid any profanities, its level of sophistication was made appropriate to adults in a criminal environment. Eisaku Inoue, the animation director, has said that the creators did not use these kanji readings in the anime since they "might have cut down the laughs by about half". [10] Nevertheless, Konosuke Uda, the director, said that he believes that the creators "made the anime pretty close to the manga". [10] Oda was "sensitive" about how his work would be translated. [11] In many instances, the English version of the One Piece manga uses one onomatopoeia for multiple onomatopoeia used in the Japanese version. For instance, "saaa" (the sound of light rain, close to a mist) and "zaaa" (the sound of pouring rain) are both translated as "fshhhhhhh". [12] Unlike other manga artists, Oda draws everything that moves himself to create a consistent look while leaving his staff to draw the backgrounds based on sketches he has drawn. [13] This workload forces him to keep tight production rates, starting from five in the morning until two in the morning the next day, with short breaks only for meals. Oda's work program includes the first three days of the week dedicated to the writing of the storyboard and the remaining time for the definitive inking of the boards and for the possible coloring. [14] When a reader asked who Nami was in love with, Oda replied that there would hardly be any love affairs within Luffy's crew. The author also explained he deliberately avoids including them in One Piece since the series is a shōnen manga and the boys who read it are not interested in love stories. [15] Conclusion Oda revealed that he originally planned One Piece to last five years, and that he had already planned the ending.