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But Momonga's degree of power exceeds even that- He's powerful to the point that nearly nothing poses a serious threat to him. This is a problem in storytelling because no conflict is ever relevant- Momonga's powerful enough to just solve it easily without any effort. One could say that it was the writer's intent to make Momonga seem powerful and impressive, but it doesn't even do that correctly. Power is relative, so when Momonga just one-shots random fodders that spend more time boasting about themselves than actually showing what they're capable of, it's not impressive in the slightest. A key example of this happens in the fourth episode, where the bad guy summons what is supposedly a super-powerful monster, and when Momonga kills it, it's supposed to look impressive. But the audience doesn't know what this monster was even capable of, outside of the bad guy boasting about its supposed strength, so it just feels completely flat.
While he makes all these unnecessary convoluted plans about how he would spread his name around the world to catch the attention of those who might have been trapped in the world like him, he essentially just solves all his problems through his raw power. His problems are more self-imposed than anything due to his tendency to be incredibly paranoid due to his fear of something that “might” be more powerful than him. And to make it worse, he just outright contradicts himself near the end of the show by risking his life in an unnecessary one-on-one combat due to his ego. Brilliant.
And to make it more brilliant, there really was no reason for the MMO backdrop at all- It's a completely unnecessary addition.

Retrieved December 6, 2022. December 2022: Hazra, Adriana (January 10, 2023). "Chainsaw Man Ranks #1 on U. S. Monthly Bookscan December List". Anime News Network. Archived from the original on January 16, 2021. Retrieved December 14, 2020. ^ MAPPA10周年記念イベント、参加作品に「チェンソーマン」が追加決定. Comic Natalie (in Japanese). Natasha, Inc.

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kenshin le vagabond


And then you have ideas that are used only to add detail to the universe or serve as a new plot reveal to keep the story exciting, but that are never properly thought out.
Like the battle against Moby Dick, a beast with the ability to erase the memory of people's existence consumed by its fog. We get an example of this when Rem sacrifices herself to save Suburu and is immediately forgotten by everyone who knows her. But yet, when this incident occurs again during the heat of battle against a battalion in episode 20, the powers don't work the same way. Where in the case of Rem her very presence and existence was erased, in this battle, soldiers only forgot the names of the soldiers lost in the mist but are still aware of the fact that people are missing. So how do people remember a whole platoon going missing during battle when they're consumed when prior cases of the whale's mist made it clear that you wouldn't even be aware of the lack of anything missing? This is just one of many small plotting issues littered across the show, and the only conclusion is that the creator needed another plot twist to hook viewers in, but fell victim to a plot hole later on when it no longer served a purpose.
Suburu is said to smell like the witch to a few people, yet, from all accounts, no one has ever encountered the witch face to face, so how do they know this assessment to be accurate? So the statement:
"Do I smell like the witch?"
is no better than saying:
"Do I smell like the thing you've never seen or come in contact with in your life?"
The entire show is just built on one unanswered question after another. How did he arrive in this world? How does his respawning ability work like a save point? In episode 24, he was shown to restart after getting past the whale and into the mansion, but then he could conveniently go back to the point where he defeated the whale as a save point after he dies at the village? It's obvious that this was done only to bypass having to reset the progression he made with Rem in episode 18. A moment where the show bends its own rules by going beyond simple retconning, instead, rewriting the very nature in which the resets work.
How could he speak their language and be understood but not write their assigned text? It's minor things like this that demonstrated that they wanted to appear insightful, but in actuality had only half-baked ideas. Anime News Network. Archived from the original on October 24, 2019. Retrieved July 6, 2020. ^ Nelkin, Sarah (August 7, 2013). "Second Hunter x Hunter Film to Premiere on December 27". Anime News Network. Archived from the original on March 16, 2021. Retrieved April 3, 2021. ^ 「出久&爆豪:ライジング」 あきやま陽光 > 週刊少年ジャンプ読切! (in Japanese). 朴念仁と居候. December 13, 2019.
She has romantic feelings for Shingo, and is a year older than him. Satō (佐藤) Voiced by: Nana Hamasaki A student at Hachimitsu Academy; the love interest of Joe. She unwittingly stops Joe from returning to imprisonment. She only appears in the OVA. Mayumi Tanaka (田中 マユミ, Tanaka Mayumi) Voiced by: Ami Nanase (Japanese); Lara Woodhull (English) Portrayed by: Yufu Terashima Chiyo's best friend who is most often seen in her company, and aided her in warning the boys of their impending expulsion. Media[edit] Manga[edit] See also: List of Prison School chapters Prison School, written and illustrated by Akira Hiramoto, was serialized in Kodansha's seinen manga magazine Weekly Young Magazine from February 7, 2011, to December 25, 2017.