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Sometime later, Boruto realised that his eye's power had seemingly disappeared completely. Later, Shino decided to change up the 3-man teams for their next challenge to determine the optimum pairings for graduation. Mitsuki insisted on staying on Boruto's team and also teamed-up with Lee. As rumours about Sumire's fate began to spread, Boruto confronted his father about it. Naruto insisted that while he has to think about the whole village and he does not have absolute say, he will help Sumire. The following day during the team challenge to capture a flag, Mitsuki and Boruto's teamwork managed to win their match.

No geral eu achei o final bom e que 98% das perguntas foram respondidas.
O Urasawa não só foi genial na forma como escreveu a história, mas também na criação e desenvolvimento de seus personagens. Eles são únicos, e a maneira com que eles são apresentados reforça esse sentimento e personalidade de cada um. Conforme eles são desenvolvidos é possível ver a mudança deles, o amadurecimento, a bagagem em seus semblantes. Urasawa fez questão de fazer personagens complexos e vivos, com desejos, medos, erros e acertos. Cada um é tão singular um do outro e bem desenvolvido que é possível saber como cada um agiria em "x" situação. Não só os mocinhos da história, mas também o vilão. O "amigo" é um dos melhores vilões que eu já vi. A sua força opositora dos heróis, a sua ameaça constante, seus planos e manipulações que faz ele estar sempre a um passo a frente, seu desenvolvimento. Acredito que ele é um exemplo de vilão quase perfeito. Se as motivações dele fossem melhores aí sim ele seria perfeito.

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However, once its dramatic questions are clarified, the show falls back into its rhythm of entertaining action peppered with social commentary, largely born from placing non-white characters in traditionally white settings, like those of Maurice Leblanc’s original novels. Diop, the son of working-class Senegalese immigrants, is looked upon with far more suspicion than Arsène Lupin, even (and especially) when disguised as an aristocrat, while North African policeman Guedira — the modern equivalent of Leblanc’s Inspector Ganimard — doesn’t command the respect of his white peers the same way. The season’s first episode pits them against Pellegrini’s Black henchman Léonard (Adama Niane), and what ought to play out as a standard chase to save Diop’s son is imbued with surprising intensity, when all three men are forced to tiptoe around scornful onlookers in a small, mostly-Caucasian town not far from Étretat, where Part 1’s finale took place and where Leblanc himself once lived. Here's what we said about Lupin Part 1LoadingPlay"Lupin manages to have fun even with an antiquated premise — the story of a suave con-man who charms his way through high-profile robberies — while adding just enough new spin on the concept to feel refreshing. Omar Sy may not have much to work with, but his alluring presence makes Assane Diop feel like a worthy successor to Arsène Lupin. "While the season frequently breaks the promises of its cliffhangers, its narrative still feels more incisive than Part 1. The show’s childhood flashbacks, previously deployed to fill scattered elements of Diop’s backstory, now portray episodic events from his early days as a teenage hustler (where he’s played with charm by the young Mamadou Haidara). These stories not only flesh-out his early relationships with ex-wife Claire (Ludivine Sagnier/ Ludmilla Makowski), best friend and accomplice Benjamin (Antoine Gouy/Adrian Valli De Villebonne), and former flame Juliette Pellegrini (Clotilde Hesme/Léa Bonneau), but they offer meaningful contrast with the current timeline, as both past and present see Diop navigating the consequences of his schemes, and their effects on the people around him. These people become much more important in Part 2. Previously, Diop’s father Babakar (Fargass Assandé) was the only character who felt like a living, breathing human being with a recognizable personality, and he was already long dead by the time the story began. This time around, every character extends beyond their mere plot function starting with Diop himself, who not only feels more debonair, but more conflicted, and brims with anger and intensity after being backed into a corner by familiar foes. You should either choose to reference only real life players or make up all the players for your world. Because from where I stand, it just sounds like you’re undermining the two goats of our football generation, Messi and Ronaldo.
The only thing that I can appreciate in this show are the subtle or not so subtle yaoi elements. It’s the only thing that’s keeping me engaged in this show and I’m not even lgbtq. The series really tries to reach a target demographic here and I for one am happy it succeeds on this front. When Bachira calls out to Isagi to free him from his captors.