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Archived from the original on December 14, 2021. Retrieved December 14, 2021. ^ サムライチャンプルー. Grasshopper
Manufacture (in Japanese). Archived from the original on January 21, 2014. Retrieved December 14, 2021. ^ サムライチャンプルー. Grasshopper Manufacture (in Japanese). Archived from the original on January 21, 2014. Retrieved December 14, 2021. ^ "TGS 2005: Samurai Champloo -- First Look".
47,923 votesMushoku Tensei:
Jobless ReincarnationPhoto: Studio BindMushoku Tensei: Jobless Reincarnation follows a destitute man leading a very depressing life who has been reincarnated into a magical world as Rudeus Greyrat. As he grows up in his new family and gains magical abilities, he begins to form relationships and
find meaning in his life. Letting go of the trauma of his past isn't easy, but with new friends by his side and magical quests to attend to, it might just be possible. This series is beautifully animated and has excellent plotting and character development. However, the protagonist is known for saying disturbing things about children. For this reason, we don't recommend it to all viewers. 533,030 votesNo Game No LifePhoto: MadhouseNo Game No Life gets to the point immediately with its name alone. While they are incredible gamers, Sora and Shiro lack the skills to accomplish anything meaningful in their current world. In fact, they're so wracked with social anxiety that most of the time they can barely leave the house. Their lives change for the better when they get the chance to live in Disboard, a world where gaming determines every interaction and transaction. There, they become wildly successful beyond anything they imagined possible in their old world, achieving royal status and uniting the warring factions of Disboard through gaming.
That being said, Dororo’s childish antics were far from hilarious, and more often than not, were quite irksome. He also served as a male, ‘damsel in distress’ for Hyakkimaru to save/protect on several occasions; except when Dororo got his arm stuck under some rocks in episode 20, and Hyakkimaru — unable to dislodge Dororo’s arm — proceeded to bash his head against said rocks in rage. Perhaps Hyakkimaru thought the magical force of chronic traumatic encephalopathy (permanent brain damage) would propel the rocks somewhere else. But despite his best efforts, telekinesis (and common sense) were not on his side. And if it weren’t for Biwamaru conveniently saving the day, that would have been the end of Hyakkimaru and Dororo’s adventures.
Similar to MAPPA’s previous production, Banana Fish, Dororo displays egregious actions — like rape and murder — to allow the
viewer to sympathize with the characters and better understand their emotional suffering. A wise decision, only if the mistreated characters were fleshed out
enough to permit the viewer to actually care about their suffering. Sure. The natural inclination for any sane human is to commiserate with the offended individual, but artistic mediums require a scrupulous approach; otherwise, the desired outcome comes off as cheap window dressing.
Speaking of cheap, Dororo’s animation was rather tacky for a modern anime. It certainly did not offend the eyes, but neither did it generate a distinguished brilliance or captivate the viewer.
