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4Video games 3. 5Music 3. 6Light novels 3. 7Art and guidebooks 3. 8Other media 4Reception Toggle Reception subsection 4. 1Sales 4. 2Critical reception 4. 3Accolades 5Notes 6References 7Further reading 8External links Toggle the table of contents Vinland Saga (manga) 27 languages العربيةAzərbaycancaCatalàČeštinaDeutschEspañolفارسیFrançaisGalego한국어Bahasa IndonesiaItalianoLietuviųBahasa MelayuNederlands日本語PolskiPortuguêsРусскийSuomiSvenskaTaqbaylitไทยTürkçeУкраїнськаTiếng Việt中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version From Wikipedia, the free encyclopedia Japanese manga series and its adaptation Vinland SagaFirst tankōbon volume cover (Afternoon edition), featuring Thorfinnヴィンランド・サガ
(Vinrando Saga)GenreAdventure[1]Epic[2][3]Historical[4] MangaWritten byMakoto YukimuraPublished byKodanshaEnglish publisherNA: Kodansha USAImprintShōnen Magazine Comics(former)Afternoon KC(current)MagazineWeekly Shōnen Magazine(April 13–October 19, 2005)Monthly Afternoon(December 24, 2005–present)DemographicShōnen, seinenOriginal runApril 13, 2005 – presentVolumes27 (List of volumes) Anime television series Vinland Saga (2019–2023) Anime and manga portalVinland Saga (Japanese: ヴィンランド・サガ, Hepburn: Vinrando Saga) is a Japanese historical manga series written and illustrated by Makoto Yukimura. The series is published by Kodansha, and was first serialized in the boys-targeted manga magazine Weekly Shōnen Magazine before moving to the monthly manga magazine Monthly Afternoon, aimed at young adult men. As of June 2023, its chapters have been collected in 27 tankōbon volumes. Vinland Saga has been licensed for English-language publication by Kodansha USA. It is violence without meaning, as artificial as can be, extreme and over-the-top to the point that it can almost at times resemble satire. Everything that could possibly go wrong does go wrong for Subaru and friends, long before you are given any reason to care about their fates in the first place. The fifteenth episode is easily the biggest offender in this regard as it is nothing more than one massive slaughterfest, intent on making you feel bad for Subaru and his many waifus, him screaming in rage and gurgling on blood like it is some sort of torture porn. It is entirely possible for fiction to contain elements of death and gore without it negatively affecting the story, and in some cases it is even necessary, as it is for stories focused on issues such as war. Death is an entirely natural phenomenon, and humans are evidently not above committing acts such as murder. The issue with Re:Zero is that its death and gore exists for itself. It exists to shock and enrage the viewer, rather than serving as a product of the setting or as a vehicle for more substantial themes. For some people, this works, and throwing a character through a hurricane of awfulness is enough to instil sympathy. That's great, and I don't hold any ill will against these people. If anything, I am envious of how easily they can feel emotion. What actually bothers me is how effortless this method of storytelling truly is, and the audacity Re:Zero has to pretend it is something profound and on-par with film, as it did in the credits of the fifteenth episode.