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From the minute the firebombing starts, viewers already have a clear enough sense of how this story plays out. With their home left in ruins and ripped away from their mother, what’s left is a tale of two kids still clinging onto one another alone in an uncharitable world, fending for themselves as best they can. But without a hopeful ending, it’s more akin to watching a slow death play out than otherwise. Director Isao Takahata makes these opening scenes count. In such a short span of time, he places the audience in a position where emotional attachment with the main characters feel genuinely crafted. We’re instantly drawn to Setsuko’s abundant wonder and childlike innocence, and likewise support Seita as he must transform into the parental figure his sister will need. We realise how food scarcity and a general lack of resources impacts them both above all others. And naturally, we can only feel sorry for the two. Their circumstance and untimely demise lie out of their control as both are reduced to mere numbers tallied to the body count their country holds.
For a film that illustrates a tragedy not suitable for most children, Grave of the Fireflies’ greatest strength lies in the fact that it exists as an animated feature. There are several instances where gratuitous images are lingered on, never shying away from the bleakness of these scenes.

0; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. , a non-profit organization. Privacy policy About Wikipedia Disclaimers Contact Wikipedia Code of Conduct Developers Statistics Cookie statement Mobile view Toggle limited content width 一千零二夜 (2006) - IMDb MenuMoviesRelease CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie SpotlightTV ShowsWhat's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV NewsWatchWhat to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightIMDb PodcastsAwards & EventsOscarsSXSW Film FestivalWomen's History MonthSTARmeter AwardsAwards CentralFestival CentralAll EventsCelebsBorn TodayMost Popular CelebsCelebrity NewsCommunityHelp CenterContributor ZonePollsFor Industry ProfessionalsLanguageEnglish (United States)LanguageFully supportedEnglish (United States)Partially supportedFrançais (Canada)Français (France)Deutsch (Deutschland)हिंदी (भारत)Italiano (Italia)Português (Brasil)Español (España)Español (México)AllAllTitlesTV EpisodesCelebsCompaniesKeywordsAdvanced SearchWatchlistSign InSign InNew Customer? Create accountENFully supportedEnglish (United States)Partially supportedFrançais (Canada)Français (France)Deutsch (Deutschland)हिंदी (भारत)Italiano (Italia)Português (Brasil)Español (España)Español (México)Use appCast & crewUser reviewsTriviaFAQIMDbProAll topics一千零二夜Original title: Azur et Asmar2006PG1h 39mIMDb RATING7. 4/103. 6KYOUR RATINGRatePlay trailer1:291 Video62 PhotosAnimationAdventureFamilyRaised by the same woman, the dark-complexioned, Asmar, and the flaxen-haired, Azur, set out on a quest to a strange and magical land to liberate the enchanting Djinn-fairy; but, only one ca. Read allRaised by the same woman, the dark-complexioned, Asmar, and the flaxen-haired, Azur, set out on a quest to a strange and magical land to liberate the enchanting Djinn-fairy; but, only one can save her. Will the brothers be triumphant?Raised by the same woman, the dark-complexioned, Asmar, and the flaxen-haired, Azur, set out on a quest to a strange and magical land to liberate the enchanting Djinn-fairy; but, only one can save her.

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[39] A third game Kuroko's Basketball: Mirai e no Kizuna (黒子のバスケ 未来へのキズナ, Kuroko's Basketball: Bonds for the Future) was released on March 26, 2015, for the Nintendo 3DS. [40] Kuroko also appears as a support character in the Jump crossover fighting game J-Stars Victory VS. A mobile game by Fivecross, Kuroko no Basuke Street Rivals (黒子のバスケ Street Rivals), is scheduled to be released in 2023. [41] Stage plays[edit] A series of 2. 5D musical stage plays began in 2016. [42] Kensho Ono reprised his role as Kuroko from the anime series. [43] Additions to the main cast included Yuuya Asato as Taiga and Shota Onume as Aomine. The plays were directed by Norihito Nakayashiki, who also directed Hyper Projection Engeki Haikyu!!. [44] Year Dates & Locations Title 2016 8 April – 22 April (Tokyo) Kuroko no Basuke The Encounter[45] 2017 22 June – 9 July (Tokyo)
13 July – 17 July (Osaka) Kuroko no Basuke OVER-DRIVE[46] 2018 6 April – 22 April (Tokyo)
1 May – 6 May (Osaka)
11 May – 13 May (Tokyo) Kuroko no Basuke IGNITE-ZONE[47] 2019 30 April – 1 May (Osaka)
4 May – 5 May (Aichi)
7 May – 13 May (Tokyo)
18 May – 19 May (Fukuoka) Kuroko no Basuke ULTIMATE-BLAZE[48] Reception[edit] The Kuroko's Basketball manga series sold nine million units in Japan by September 2012. [49] In May 2013, the manga has over one million copies of volume 1 in print. [50] By 2013, the manga had over 23 million copies in circulation,[51] a number that grew to 27 million by April 2014. 1016/S0163-6383(98)90011-X. ^ Quinn, P. C. ; Kelly, D. J. ; Lee, K. ; Pascalis, O. ; Slater, A. M. (2008). "Preference for attractive faces in human infants extends beyond conspecifics".