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Archived from the original on February 15, 2021. Retrieved February 14, 2021. ^ "A Decade of Anime: Best Girls & Best Boys". Funimation - Blog!. December 27, 2019. Archived from the original on May 5, 2022.

He repeatedly provoked him by mocking his intentions to become an eternal being and boldly stated that he would die, and in his final moments, he bore a smile on his face to lure Muzan into a false sense of security as his trap was activated. Despite his own hatred towards him, Muzan was amazed that Kagaya had hidden his bloodlust during their conversation and was shocked Kagaya was willing to kill his own family from his own perspective, having underestimated the lengths he would go to in order to weaken him. Abilities[] Overall Abilities[] Emotion Masking: Kagaya possesses the remarkable ability to conceal his emotions and present a composed and controlled outward appearance. He utilizes this skill to maintain a calm and serene composure and deceive others' perception of him. When Muzan, the target of Kagaya's deep-seated hatred, confronted him at his home, Kagaya presented himself with the serene smile of a Buddha, effectively masking any trace of murderous intent. By completely erasing his fighting spirit, animosity, and hatred, Kagaya successfully concealed his true intentions, luring Muzan into a trap. It was only when Kagaya sacrificed himself by detonating an explosive to ensnare Muzan that the demon realized the magnitude of Kagaya's hidden emotions. Muzan likened Kagaya's concealed intent to a coiled viper lurking within his dark, lifeless stomach, leaving him in awe of Kagaya's astonishing ability to veil his true nature. [5] Soothing Voice: Kagaya possesses the ability to put others at ease just by the tone of his voice and rhythm of his actions, as he displayed with Tanjiro Kamado and even the blood-lusted Hashira. [6] In modern times, this attribute is called 1/F Fluctuation, and is said to be possessed by many charismatic people and have the strength of presence to move mass audiences. [6] Supernatural Abilities[] Extrasensory Perception: Kagaya possesses the ability to perceive the presence of both humans and demons, as well as determine their strength.

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Qilby is revealed to have once been imprisoned in an empty, timeless dimension by a previous incarnation of Yugo as punishment for betrayal. It was Qilby who orchestrated a war with a robotic species called the Mechasms, resulting in the deaths of many eliatropes and the need for them to abandon their original world. Cunning and conniving, Qilby nearly succeeds but is defeated by a combined effort by Yugo, the last remaining eliatrope children, and the unborn Shinonome. Separated from the Eliacube, he is imprisoned in the same timeless dimension by Yugo. Prior to Qilby's defeat, he reveals that unlike the rest of his siblings, Shinonome and he do not lose their memories upon reincarnation, and instead have perfect recollection of all Eliatrope history. After many millennia, the weariness of living without novelty drove Qilby to desperation bordering madness, and he used the war to help his people advance into space. Qilby holds a high regard for his species and even his siblings, in spite of his antagonistic actions nearly wiping them all out. Shushus[edit] The Shushus are a species of demons that appear to have originated from an mysterious purgatory-like dimension, they have magical powers that can possess inside of people & inanimate objects Rushu Voiced by: Marc Alfos (French) [fr]; Jimmy Hibbert (English) The tyrannical king of all Shushus. a colossal 10-meter tall fiery demon, he is the one that has mostly been destroyed down to rock and ash and is looking for a way to enter the World of Twelve, so full of light and life, that he and his demons can keep destroying things. His powers are said to be equal to that of a god and include, super strength, pyrokinesis, telekinesis, and others as well. In the season 2 finale, his true form was revealed to be a grayish-blue cyclops-like humanoid with a yellow eye, During the battle of Crimson Claws archipelago, he was sent back to her realm while fighting with Goultard. This even extends to works aimed at the adult crowd (such as Laughing Salesman), but they're still seen as one of the landmark examples of manga's influence on Japan. Pingu In The City, a Japanese-made reboot of Pingu is animated entirely in 3D and rendered in a way to emulate the stop-motion look of the original series, but uses some anime tropes such as a slower frame rate in some scenes and the characters do make the odd face faults. Anime & Manga The '70s and '80s saw many mangas inspired by contemporary American and European media, some even set in America. Space Adventure Cobra is like Barbarella meets Eagle Land, and Mad Bull 34 is Eagle Land incarnate. Given its nature as a multi-vignette show for a young audience, Folktales From Japan features a wide variety of animation designs, most of which cartoony in nature and several in particular rather western. Very rarely does it actually look like anime.