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Sailor Moon's original North American release was the subject of heavy editing which resulted in large amounts of removed content and alterations that greatly changed the original work. [33] These changes altered almost every aspect of the show including character names, clothing, scenes and dialogue. Some scenes with brief nudity and bathing were also censored,[34] and any type of
violence including violence against children was also removed. [15][35] The series also faced censorship in various countries that ranged from changing a character's gender to removing gender fluidness in characters, or editing romantic pairings into close relationships between family members. [36][37][38][20] Sociology professor Rhea Hoskin specifies that the removal of homosexual and gender-fluid characters in the 1990s Sailor Moon highlights the exclusivity of what was otherwise representation of LGBTQ in a female-lead superhero show. [39] Modern releases restore the censored material cut from the original Japanese version. [40] Music[edit] See also: List of Sailor Moon soundtracks Takanori
Arisawa composed the score for Pretty Soldier Sailor Moon. Arisawa earned the Golden Disk Grand Prize from Columbia Records for his work on the first series soundtrack in 1993. In 1998, 2000, and 2001 Arisawa won three consecutive JASRAC
International Awards for most international royalties, owing largely to the popularity of Sailor Moon music in other nations. [41] The first opening theme, Moonlight Densetsu (ムーンライト伝説, Mūnraito Densetsu, Lit. Moonlight Legend), was used for the first 166 episodes, being performed by DALI for the first two seasons[42][43] and then by Moon Lips for the next two seasons.
Set in a medieval Europe-inspired dark fantasy world, the story centers on the characters of Guts, a lone mercenary, and Griffith, the leader of a mercenary band called the "Band of the Hawk". Miura premiered a prototype of Berserk in 1988. The series began the following year in the Hakusensha's now-defunct magazine Monthly Animal House, which was replaced in 1992 by the semimonthly magazine Young Animal, where Berserk has continued its publication intermittently. Following Miura's
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As they move to the next topic, Shirahoshi's brothers decide to take her to the Red Port so they do not have to deal with anymore World Nobles, though Shirahoshi was sad she could not say goodbye to Vivi. Speaking of, Vivi ends up restrained by CP0, who she demands they let her free. Kalifa, who was watching over her,
informs her that when her disappearance is made known, she’ll be living the rest of her life as a pet. Vivi asks if Shirahoshi is okay, and Kalifa informs her that she emerged from her ordeal unscathed, much to Vivi’s relief. Jabra, who was also watching her, claims that the ones who attacked Saint Charlos, Leo and Sai, proudly proclaimed themselves as members of the Straw Hat Grand Fleet. He also reveals that Fujitora ended up helping several slaves escape, which angered Ryokugyu so much that they started going at it. As Vivi ponders what to do, Wapol crashes through the wall begging to be spared, and Vivi takes the opportunity to escape by jumping into his mouth. The CP0 agents were left stunned by Wapol’s sudden action and eventually realize that Vivi had gotten away from them. As he runs, Vivi asks him how long he plans on running, and he says he will run to the edge of the world if he has to. The both of them
then cross paths with Kinderella, who comes to believe that Wapol is eloping with Vivi. Quick References[] Chapter Notes[] Imu starts talking to King Cobra.
