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The beautifully animated scenes, combined with the OSTs, especially during the dramatic scenes, the sound is yet another aspect Horimiya thrives at. Starting from the mesmerizing opening sequence, which perfectly fits Horimiya’s theme, to the unique ending sequence.
One other thing that I must separately mention is the dialogue delivery. This is one of the most important factors to me when I watch an anime. The dialogue delivery feels WAY TOO genuine. The casts are so talented because it is music to my ears. There is no girl who talks in a high pitched voice which is borderline annoying, even Remi talks in a normal way, I expected her to sound annoying. Dialogue delivery is definitely one of the thing I expect the anime to do well, since it doesn’t exist in manga. And Horimiya absolutely nailed it, starting from the conversations to how they were executed, all of it.
In summary, Horimiya is a satisfying adaption. Many people will find plenty of reasons to hate it, since even I admit that this isn't a perfect anime or something.

Anime News Network. Archived from the original on July 5, 2019. Retrieved July 5, 2019. ^ Pineda, Rafael Antonio (September 12, 2019). "Toonami Premieres Demon Slayer: Kimetsu no Yaiba Anime on October 12". Anime News Network.

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"Undead Girl Murder Farce TV Anime Casts Maaya Uchida as Nora the Werewolf". Anime News Network. Archived from the original on June 2, 2023. Retrieved June 2, 2023. ^ Cayanan, Joanna (June 6, 2023). "Undead Girl Murder Farce TV Anime Casts Yumiri Hanamori". Anime News Network. Archived from the original on June 6, 2023. Retrieved June 6, 2023. ^ Hodgkins, Crystalyn (June 9, 2023). "Undead Murder Farce Anime Casts Saima Nakano as Kaya". A whole episode of OP guy showing how OP he is? Check. Episode spent with introductions of characters nobody cares about or likes? Check. Meaningless, boring tournament arc spaced out by really dumb backstories? Check. This anime fell off the shounen drivel tree and hit every cliche on the way down, completely burying any sense of intrigue the premise had and showing no signs of promise to improving. This anime also has a horible sense of humor very reminicent of Fairy Tail, it isn't as bad as Demon Slayer's where loud=funny, but instead quirky=funny. Yes, this anime is formuleic, and yes it's full of stuff you've seen time and time before and executed in mediocre fasion. But what really bothers me about it is the complete and utter lack of any and all thematic depth or substance. Usually even in shounen there's some solid idea behind everything, be it dreams, people you care about, being a hero, ect. With this anime, it's hard to care about anything that happens because there is none of that. No real virtues being stood up for, nothing gained from watching besides maybe epiliptic shock from the flashy visual effects. No philosophy.
By 3FE, the group is now known as the Genji Faction (ゲンジ一派, Genji Ippa) after the Minamoto/Genji clan. In the live-action film series, his full name is given as Tsuyoshi Minamoto (皆本 剛, Minamoto Tsuyoshi). Maruo (マルオ) Kenji's portly childhood friend. After answering the call to fight, he is believed to have died in Bloody New Year's Eve. But in 2015, he is the manager of singer Haru Namio (春 波夫) under the pseudonym "Marukobashi" (丸子橋). Namio is one of Friend's favorite entertainers, the singer of the official theme song of Expo 2015, and a former bandmate of Kenji's. Using Namio's influence and connections, the two secretly investigate and subvert the Friends, such as inserting subliminal messages in videos. After meeting Friend, Namio draws his face, allowing Maruo to identify him. In 3FE, Maruo tracks down Keroyon and Kiriko and helps distribute the vaccine. In the live-action film series, his full name is given as Michihiro Maruo (丸尾 道浩, Maruo Michihiro). Donkey (ドンキー, Donkī) A member of Kenji's childhood group of friends who is killed at the beginning of the series.