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The animation staff established the particular planet atmospheres early in the production of the series before working on the ethnic
groups. It was Watanabe who wanted to have several groups of ethnic diversity appear in the series.
Mars was the planet most often used in Cowboy Bebop's storylines, with Satoshi Toba, the cultural and setting producer, explaining that the other planets "were unexpectedly difficult to use". He stated that each planet in the series had unique features, and the producers had to take into account the characteristics of each planet in the story. For the final episode, Toba explained that it was not possible for the staff to have the dramatic rooftop scene occur on Venus, so the staff "ended up normally falling back to Mars". [41] In creating the backstory, Watanabe envisioned a world that was "multinational rather than stateless". In spite of certain American influences in the series, he stipulated that the country had been destroyed decades prior to the story, later saying the notion of the United States as the center of the world repelled him. [42] Music[edit] Main article: Music of Cowboy Bebop Series composer Yoko Kanno in 1999 The music for Cowboy Bebop was
composed by Yoko Kanno. [43] Kanno formed the blues and jazz band Seatbelts to perform the series' music. [44] According to Kanno, the music was one of the
first aspects of the series to begin production, before most of the characters, story, or animation had been finalized. The genres she used for its composition were western, opera, and jazz.
231 (scored by 13991621,399,162 users) 1 indicates a weighted score. Ranked: #3212 2 based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded. Popularity: #25 Members: 2,175,685 Favorites: 66,865
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^ 陰の実力者になりたくて!. Comic Natalie (in Japanese). Natasha, Inc. Archived
from the original on December 6, 2022.
Retrieved September 8, 2022. ^ Pineda, Rafael Antonio (September 1, 2022).
