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32"Sanctuary"Transliteration: "Sei'iki" (Japanese: 聖域)Kentarō NakamuraYūki SaitōNovember 17, 2004 (2004-11-17)February 1, 2010 Lotte has a chance encounter with Nina and discovers that they are both researching Schuwald and strike up a friendship. Later, Lotte realizes that Nina looks like Johan. Tenma prepares to kill Johan at a forest sanctuary, but is unable to carry it through after meeting an old soldier who does not want bloodshed in the forest. 33"Scene of a Child"
Transliteration: "Kodomo no Jōkei" (Japanese: 子供の情景)Shigetaka IkedaMasahiro HayashiDecember 1, 2004 (2004-12-01)February 8, 2010 Some children die while participating in a dangerous game of dare suggested by Johan to determine if they were "chosen". Dieter manages to convince a seriously injured boy who survived the game not to commit the stunt again. Schuwald announces a large donation of antique books to the University of Munich and a ceremony to commemorate the donation is planned. At the library, Johan passes out after he looks at the picture book "Obluda" by Emil Scherbe about a monster with no name. Tenma prepares to kill Johan at the book donation ceremony. 34"At the End of the Darkness"
Transliteration: "Yami no Hate" (Japanese: 闇の果て)Yukihiro MiyamotoTatsuhiko UrahataDecember 8, 2004 (2004-12-08)February 8, 2010 Johan recovers from his fainting spell and responds to an invitation to go to visit the Red Hindenberg, in the red-light district, the apartment of the old prostitute who had been impersonating Karl Neumann's mother Margot Langer. She tries to blackmail Johan, but Roberto kills her. Meanwhile, Tenma visits a local doctor to find out about the prostitute's death and finds the teenage daughter of a doctor treating undocumented immigrants.
He has to work that out, because that's a permanent situation. He has the mother of his child and his child—that's never going to change. "[24] The dynamic between Assane and Claire differs substantially from the depictions of women in the series' source material, with Kay noting that the original Arsène Lupin was "ludicrously successful with women in a very sort of disposable way, which probably felt at the time quite fun but now feels really dated. I don't want to write that guy, I want to write a guy who's amazing at breaking into a museum but also can't work out how to explain certain things to his kid or ex-partner. "[25] In an interview with the French publication 20 Minutes, Ludivine Sagnier voiced her appreciation for the fact that although Claire continues to care deeply about Assane, she is able to remain true to herself and her desires. [26] On developing the character of Youssef Guédira, a fellow Lupin devotee who happens to be a police detective charged with hunting Assane down, Kay said that "a lot of our favourite shows have their own podcasts and fanbases and all of that stuff, and I thought it'd be cool if that was incorporated into the series itself, so it becomes like a 'live' adaptation within the series.
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