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The Asahi Shimbun. Archived
from the original on May 4, 2022. Retrieved May 4, 2022. ^ どろろ(下) (in Japanese). The Asahi Shimbun. Archived from the original on June 30, 2021. Retrieved May 4, 2022. ^ "Tezuka World Dororo
Episode Summary". Archived from the original on October 9, 2008. Retrieved January 2, 2016. ^ "Anime Sols Project Page".
^ "Billboard Japan Hot Animation – 2023 Year-End". Billboard Japan (in Japanese). Archived
from the original on January 10, 2024.
Retrieved December 8, 2023. ^ Asian Pop Music Awards [@APMAHK] (November 30, 2023). "#APMA2023(NOMINATIONS)/ BEST OST (Overseas)" (Tweet). Retrieved March 6, 2024 – via Twitter. ^ Asian Pop Music Awards [@APMAHK] (November 30, 2023). "#APMA2023(NOMINATIONS)/ BEST LYRICIST (Overseas)" (Tweet). Retrieved March 6, 2024 – via Twitter. ^ 「加入者の皆さまが選ぶAT-Xアニメランキング2023」結果発表! (in Japanese).
[147] Kimlinger gave particular praise to the characteristics of the complex villain Hisoka and the deep, emotional transformation of Kurapika in the latter half of the series. [12][13][49] Theron Martin, also of ANN, contrastingly found the plot of the earliest episodes to be cliché, called the protagonist Gon "an obvious Son Goku derivative", and stated that many of the story's aspects have already been covered by other shōnen series such as Dragon Ball Z a decade earlier. Martin was also displeased by an alleged lack of character development on the main protagonists' parts in the initial episodes. [11] The art and animation of the Hunter × Hunter anime have also been commended by the press. Kimlinger and Tucker were impressed by the art direction of Hunter × Hunter, the former of whom critiquing the adaptation of Togashi's work by Furuhashi as having "understated energy and flair, making the most of the era's (1999) mix of traditional and CG animation to bring Gon and friends' physical feats to fluid, exhilarating life. "[49][147] Martin faulted both the artwork and the subtle differences in character design. "The artistry not only shows its age but, in fact, looks older than it actually is," the reviewer commented, "hearkening back to a day when digital coloring and CG enhancements were not ubiquitous and allowances for a rougher look were greater. "
Opinions of the series' sound and music have been somewhat mixed. Martin positively noted the soundtrack as the strongest production
point of Hunter × Hunter, and was satisfied with both the English translation of the script and Ocean's voice overs. [11] Tucker found the music satisfactory and improved as the series progressed, but did not think it lived up to its potential. [147] Kimlinger agreeably felt the musical score to be appropriate in most instances, but criticized the English dub as "a letdown since day one".
