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[17][18] Miura also mentioned animator and manga artist Yoshikazu Yasuhiko and manga artist Fujihiko Hosono as early influences to his art style. Violence Jack by Go Nagai and Guin Saga by Kaoru Kurimoto inspired the series' story and atmosphere. Ranpo [ja] by Masatoshi Uchizaki served him as a reference for his backgrounds. [17][18] Miura said that his favorite manga series was Dororo by Osamu Tezuka, and that he wanted to create a fantasy work that possessed dark, "muddy" and yōkai-like elements. [19] Miura stated that he learned the basics of storytelling from George Lucas, creator of the Star Wars franchise, and called the eponymous 1977 film his favorite work. [20][21][22] Miura commented about the influence of shōjo manga on the series, stating that it is about "expressing every feeling powerfully.

^ Allen Jr. , Mark [@MarkAllenJr] (June 19, 2021). "Excited to say that you can hear me in 86 EIGHTY-SIX as Kujo Nico, as well as several other faces around the world! Big thanks to @Warmupguy for his direction, & to @mummynyan for bringing me on! Check out the show's dub on @Crunchyroll now!" (Tweet). Retrieved June 19, 2021 – via Twitter. ^ a b Thelwell, Kevin [@KevinDThelwell] (June 19, 2021). "It's Saturday! The 1st English ep of 86 EIGHTY-SIX dropped on @Crunchyroll.

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Not only does this make Tanjirou as a character more well-rounded, it also adds to the story as well. This shows Tanjirou's story of struggle and how it has shaped him to be who he is. Also, this is a story with much anticipated action in it, but at the same time, it does have its fair share of emotional moments as well. It's a story that will get you thrilled for the action scenes but a little heart-wrenching or teary in the emotional scenes. And the way they execute these more emotional or sensitive scenes were done well, in general and in my opinion. That said, the catch is that I feel the main plot of Tanjirou's adventures in the Demon Slaying Corps don't really start until around Episode 05 or so. I would give it some time to get to the main, main "dish". The exposition is important for Tanjirou's development and some background as well, but I would say not to expect to be blown out the window at the story presented at the first episode of the anime and to give it a chance by watching through several episodes first. Oh, and also, this could be me, but I personally really like the setting. The player guarding him must simply stop looking at Kuroko, but look at the passer and derive Kuroko's position from him. [9] So far, the only person capable of doing that is Imayoshi. Not only that but the new skills he has learned such as the "Vanishing Drive" and "Phantom Shot" has made his "lack of presence" wear out. This is simply because these skills require a hold to the ball and the crowd starts to notice him because of this. This is the main reason Akashi didn't teach him how to shoot. Kuroko diverts the attention away from him, to another player and to the ballKuroko stealing Kasamatsu's ball using his misdirectionKuroko must make eye-contact in order to use Misdirection Invisible Pass Kuroko's Invisible Pass Following from his misdirection, Kuroko uses himself as a relay for passes and redirects the ball to another player by just gently touching it.
Anime News Network. February 2, 2021. Archived from the original on May 19, 2023. Retrieved April 6, 2023. ^ Oda, Eiichiro (2007). One Piece 10th Treasures (in Japanese). Shueisha. p. 30. ^ "Hunter x Hunter Anime Film Announced". Animekon.