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[59] Well-known film director and critic Haruo Mizuno [ja] reviewed Grave of the Fireflies on his popular TV series. He praised the film for the honorary image of the soldiers of Japan through the depiction of the fireflies, and the moving depiction of a heartbreaking
experience many people of Japan had lived through. [60] After seeing the reactions of the audience after a screening of the film at Festival « Pour éveiller les regards », Jean-Jacques Varret, head of Les Films du Paradoxe, knew he had to distribute it in France. [61] It was released in two Parisian arthouses and the reaction was modest. Following the release however, Les Films du Paradoxe chose to release the film on video cassettes and on the streaming service Canal+. [61][62] Public reactions[edit] After the international release, it has been noted that different audiences have interpreted the film differently due to
differences in culture. For instance, when the film was watched by a Japanese audience, Seita's decision to not come back to his aunt was seen as an understandable decision, as they were able to understand how Seita had been raised to value pride in himself and his country. Conversely, American and Australian audiences were more likely to perceive the decision as unwise. [63][64] Accolades[edit] Year Award Category Recipient Result 1989 Blue Ribbon Awards Special Award Isao Takahata Won 1994 Chicago International Children's Film Festival Animation Jury Award Won Rights of the Child Award Won Derivative works[edit] Planned follow-up[edit] Following the success of Grave of the Fireflies, Takahata drew up an outline for a follow-up film,
based on similar themes but set in 1939 at the start of the second World War. This film was called Border 1939, based on the novel The Border by Shin Shikata, and would have told the story of a Japanese teenager from colonial Seoul joining an anti-Japanese resistance group in Mongolia. The film was intended as an indictment of Japanese imperialist sentiment,
which is briefly touched upon in Grave of the Fireflies.
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Voiranime, une plateforme qui s’est imposée comme un acteur majeur dans le monde du streaming d’animes en France. Voiranime séduit par sa riche bibliothèque d’animes en VF et Vostfr, une interface utilisateur intuitive et une qualité de streaming exceptionnelle. Ces atouts font de lui un choix privilégié pour les amateurs d’animes. Cependant, il est crucial de ne pas occulter les questions de sécurité et de légalité. La vigilance est de mise pour éviter les faux sites et protéger ses données personnelles. L’utilisation d’un VPN est recommandée pour une navigation sécurisée. Par ailleurs, la légalité de Voiranime reste une zone grise, avec des contenus souvent en violation des droits d’auteur. Dans ce contexte, les alternatives légales comme Wakanim (désormais transférée sur Cruchyroll) , Crunchyroll et ADN représentent des options sûres et éthiques pour les passionnés d’animes. En fin de compte, Voiranime reste une plateforme fascinante et controversée.
