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I probably should’ve listened to the warning signs. Certain Maruto fans on Twitter had already panned the show and the LN for being self-gratifying otaku humor. People who have watched the first two episodes called the show obnoxious for having snarky commentary on its clichés while also indulging in them.
But let’s give credit where it’s due: Saekano isn’t complete trash. I would probably be more forgiving of the show if it were: it’s easier to let go of a show that’s a total failure than a show that flubbed with its great ideas. There are two things that Saekano did well in portraying: the relationship between consumer and creator, and the character of Katou Megumi. Let’s start with the former.
Episode 6 of Saekano is the first episode where I thought the show was being genuine. The episode frames Utaha as the creator and Tomoya the consumer, and the show asks: how far should an author go to in trying to please their readers? And I feel that the show gave a good answer to the question: fans want something that the creator wrote, not something that would go with their expectations. The framing of the scene was even reminiscent of White Album 2: two high school kids throwing their emotions at each other under the snow might be a clichéd scene, but if there’s anyone who can make it work, it’s Fumiaki Maruto.

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[170] In honor of Sailor Moon's 30th anniversary, brands like Sanrio, Uniqlo, and Maison de FLEUR announced a collaboration in January 2022. [171][172][173] References[edit] ^ a b Takeuchi, Naoko (1994). Pretty Soldier Sailor Moon Original Picture Collection vol. I (1st ed. ). Japan: Kodansha. ISBN 4063245071. ^ 美少女戦士セーラームーン新装版(1). kc. kodansha. co. Similarly, Miho Koishihara referred to these two mangas as responsible for increasing the popularity of their respective sports with the writer noting that Captain Tsubasa focused on realistic growth in comparison to previous works. [89] In Sport, literature, society : cultural historical studies noted the appeal of both the manga and its title character as one of the main reasons for becoming one of Japan's most popular soccer series referencing its popularity throughout its serialization. [113] A series on which Captain Tsubasa exerted a great influence was Masaya Tsunamoto's Giant Killing. [114] During the US occupation of Iraq, the Japan Self-Defense Force put Captain Tsubasa stickers on their water trucks. At the same time, the Japan Foundation provided an Arabic-dubbed season of Captain Tsubasa to the largest television station for free. [115] In late 2018, the Katsushika City organized the "Captain Tsubasa Cup, Gotta Win!" campaign during the yearly Junior Soccer Tournament to help bring tourists to the city and keep young men active, and gave Takahashi the Honorary Citizen Award for the manga's positive impact on the city.
[37] At the Crunchyroll Anime Awards, the anime's Diamond is Unbreakable received three category mentions in the most popular "Other" in 2017: "Best Action" and both Hero of the Year and Best Boy for Josuke Higashikata, while Yoshikage Kira was nominated for Villain of the Year;[38] Takahiro Kishida won "Best Character Design" for the anime's Golden Wind and its opening theme, "Fighting Gold" by Coda, was nominated for "Best Opening Sequence" in 2019;[39][40] Yuichi Nakamura won Best Voice Artist Performance (Japanese) for his work as Bruno Bucciarati, while Golden Wind was nominated for three categories in 2020;[41][42] Marios Gavrilis was nominated for Best Voice Artist Performance (German) for his work as Dio Brando in 2022;[43] the anime's Stone Ocean was nominated for six categories, including Best Continuing Series and Best Action in 2023. [44] Gadget Tsūshin listed "Pesci, Pesci, Pesci, Pesci yo!", a quote from the fifteenth episode of Golden Wind, in their 2019 anime buzzwords list. [45] Controversy[edit] In May 2008, both studio A. P. P. P.