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[79][80] Guts struggles with destiny itself and is constantly resisting the pull of predetermination. [77] Griffith also embodies this idea of resilience, by chasing his dream of ruling his own kingdom, despite his lowborn origins, as well as free will, by his own decision to sacrifice the Band of the Hawk in order to achieve his dream. [79] The series also explores human nature and morality, as characters struggle between becoming good human beings or falling into madness and evil. [81][80] Guts, at the beginning of the story, is presented as an antihero who does not care about killing and is indifferent to people who aid him. Guts does not act in accordance with definitions of right and wrong, he operates within a gray area. Initially he does not attempt to be heroic or protect the innocent, though his self-motivated actions sometimes do so incidentally.

MAPPA and Tezuka Productions decided to take their style to bring these characters to modern standards. Immediately, I felt as if the show had a credible outline for its artwork. Consisting of 24 episodes, the roadmap of the show also gives an easy pacing for new viewers. Do note that I have not read the manga but jumping into this anime isn’t much of a problem. We have two main characters – Hyakkimaru and Dororo traveling together during the Sengoku period. Hyakkimaru is the limbless ronin due to circumstances of his birth while Dororo is the thief who joins as his partner during their journey.

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Due to their conflicts of interests, the two would hold a long term emotional relationship, but never a true romantic one. Eventually, Soo-ah realizes Sae-ro-yi's feelings have changed and the two remain as friends. She later became a whistle blower to the authorities on the crimes that Jangga have committed in the past during her time in the company and later starts her own restaurant. Supporting[edit] DanBam staff[edit] Kim Dong-hee as Jang Geun-soo[12] CEO Jang's second and illegitimate son; Yi-seo's classmate and staff member at DanBam. Geun-soo has been bullied by his older brother Geun-won and he never felt loved by his parents. Upon turning 17, he left the Jang family and lived by himself from then on. After inconveniencing DanBam in an incident, he decides to work for Sae-ro-yi, whom he considers to be a "real adult". He has a crush on Yi-seo. However, after leaving DanBam, Geun-soo chooses to work at his father's company to become the successor for Jangga Group, and gradually became ruthless towards his former DanBam colleagues due to his thirst to prove himself and win Yi-seo's affections. In 2020, Geun-soo is the director of Jangga Group, and he eventually reconciles with the DanBam staff after realising the error of his ways. Ryu Kyung-soo as Choi Seung-kwon[13] Staff member at DanBam. [84] Reception[edit] Critical response[edit] On review aggregator Rotten Tomatoes the film has an approval score of 91% based on 54 reviews, with an average rating of 7. 9/10. The site's critical consensus reads, "Akira is strikingly bloody and violent, but its phenomenal animation and sheer kinetic energy helped set the standard for modern anime. "[85] From contemporary reviews, Tony Rayns commented in The Monthly Film Bulletin that the narrative was paced at such "speed and complexity" that "viewers who come to it without prior knowledge of the manga (comic-strip) version tend to find it almost overpowering" concluding that "The film virtually demands to be 'read' alongside the manga, and amounts to a kind of commentary on it. "[86] Discussing the story, Rayns found the film "not particularly ground-breaking as science fiction" comparing the film to be between Blade Runner and 2001: A Space Odyssey with the film's main achievement being "the sheer credibility of his vision of future-tech, as seen in fully thorough designs of vehicles, laboratory equipment" and that the film "yields some extremely arresting images in the film's closing scenes" and that "Simply as animation, Akira is an undoubted tour de force. "[87] Variety praises aspects of the film "from the imaginative and detailed design of tomorrow to the booming Dolby effects on the soundtrack" but criticizes the "slight stiffness in the drawing of human movement".