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0天國大魔境7. 6肌肉魔法使-MASHLE-8. 4SPY×FAMILY間諜家家酒8. 4【我推的孩子】8. 3無職轉生 ~到了異世界就拿出真本事~8. 4鏈鋸人7.

^ "神達に拾われた男 11". HJ Novels (in Japanese). Hobby Japan. Retrieved January 14, 2022. ^ "By the Grace of the Gods: Volume 11". Rakuten Kobo. Retrieved December 10, 2020. ^ "神達に拾われた男 7". HJ Novels (in Japanese). Hobby Japan. Retrieved October 13, 2021.

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Archived from the original on 2022-03-17. Retrieved 2022-03-17. ^ "コンテンツビジネスラボ「リーチ力・支出喚起力ランキング」" [Content Business Lab "Reach Power / Expenditure Stimulation Ranking"] (PDF). Hakuhodo (in Japanese). 2014-08-06. Archived (PDF) from the original on 2022-03-26. Retrieved 2022-03-17. ^ "コンテンツビジネスラボ「2015年リーチ力・支出喚起力ランキング」" [Content Business Lab "2015 Reach Power / Expenditure Stimulation Ranking"]. Hakuhodo (in Japanese). 2015-11-27. Archived from the original on 2022-06-01. The show’s childhood flashbacks, previously deployed to fill scattered elements of Diop’s backstory, now portray episodic events from his early days as a teenage hustler (where he’s played with charm by the young Mamadou Haidara). These stories not only flesh-out his early relationships with ex-wife Claire (Ludivine Sagnier/ Ludmilla Makowski), best friend and accomplice Benjamin (Antoine Gouy/Adrian Valli De Villebonne), and former flame Juliette Pellegrini (Clotilde Hesme/Léa Bonneau), but they offer meaningful contrast with the current timeline, as both past and present see Diop navigating the consequences of his schemes, and their effects on the people around him. These people become much more important in Part 2. Previously, Diop’s father Babakar (Fargass Assandé) was the only character who felt like a living, breathing human being with a recognizable personality, and he was already long dead by the time the story began. This time around, every character extends beyond their mere plot function starting with Diop himself, who not only feels more debonair, but more conflicted, and brims with anger and intensity after being backed into a corner by familiar foes. The difference between the two seasons is quite stark in this regard. Even the most minor characters leave lasting impressions, like Pellegrini’s scheming financial advisor Philippe Courbet (Stefan Crepon), who only features in a handful of scenes but has a mysterious, serpentine presence. While the season frequently breaks the promises of its cliffhangers, its narrative still feels more incisive than Part 1. “Diop and Pellegrini’s dueling revenge ploys unfold during a string of charity events organized by Pellegrini’s foundation. While these parties and concerts function mostly as backdrops, they continue to imbue the series with relevant subtext (in this case, about the perils of billionaire philanthropy). Where characters like Diop continue to shoulder the real brunt of systemic racism — his father, falsely accused of jewel theft, was an easy target in Pellegrini’s insurance scam — the show’s wealthy villains use philanthropy towards less-fortunate, non-white peoples both as their public-facing personas and as money-laundering schemes.