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[39] Additionally, a promotional campaign was held involving one local company from each of the 47 prefectures of Japan. [40] The film also had a 20-page special feature in the #50/2022 issue of Kodansha's Weekly Shōnen Magazine. [41] Release[edit] Theatrical[edit] World map showing countries and regions where the film was released theatrically Suzume had an advance IMAX screening on November 7, 2022, for watchers who were decided through a lottery. [42] It was released nationwide by Toho in 420 theaters in Japan on November 11 through regular and IMAX screenings. [26][42][43] Midnight screenings were held in 11 theaters across six cities in Japan. [32] The film premiered internationally in competition at the 73rd Berlin International Film Festival on February 23, 2023,[44] marking the first time an anime film competed in the festival since Spirited Away in 2002.

8% knew the existence of the series. Of the 1,558 respondents who said that they were "very familiar", 1,182 respondents "like" or "very liked" the series. To the question of "what part of the series do you like?", the series' story was the most popular aspect with 76. 4% votes, followed by the setting with 49. 3% and the relatability of the characters with 45. 3% votes. 31% of the fans said that they owned the manga, and of the 66. 1% of those fans said they owned every volume. According to multiple respondents, the series helped them treasure and connect with their families and allowed people of different generations to connect even in the workplace and beyond. The poll was responded from November 18–24 by 3,848 members of Oricon Monitor Research, ranging from people in their teens to their sixties. [92] The series helped to increase internal tourism, with many tourists traveling to similar spots to the ones featured in the series.

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Anime News Network. Archived from the original on February 28, 2020. Retrieved February 28, 2020. ^ Beckett, James (August 19, 2020). "Mob Psycho 100 II BR/DVD Limited Edition". Anime News Network. Archived from the original on January 4, 2021. Retrieved January 4, 2021. ^ 僕のヒーローアカデミア:コミックス全世界累計5000万部突破 特設サイトにデクの激動の1年 荼毘の電波ジャックも. Mantan Web (in Japanese). April 2, 2021. Kureha Tsubaki, a high school student in love with Sumika Izumino, faces challenges in their lesbian relationship due to the breaking of the human-bear non-aggression pact. Tsubaki’s nightly dreams about a bear girl, Ginko Yurishiro, add an unusual twist to the unfolding events. 17. Candy Boy Yukino and Kanade Sakurai are twin sisters from Hokkaido who move in together to a student residence in Tokyo to attend high school. They, therefore, leave their younger sister, Shizuku (nicknamed Shi-chan), with their parents. Sakuya Kamiyama, a first-year in high school, follows and harasses Kanade, saying that she loves her and that she would do anything to be with her. She pays Yukino with sweets in exchange for photos and personal belongings of Kanade. The latter realizes that the very close relationship she had with her sister is starting to be lost. RELATED: 69 Hottest Anime Girls of All Time 16. Dear Brother Nanako Misonoo, newly enrolled at Seiran Gakuen, writes letters to Takehiko, a student she admires. Despite her modest background, Nanako unexpectedly joins the prestigious Sorority Club, led by the enigmatic Ichinomiya Fukiko.
O Urasawa poderia ter feito embate final entre o "amigo" e Kenji ser memorável; colocar uma reviravolta e um plano secreto do "amigo" alí seria o suficiente pra fazer o final ser incrível. Urasawa deveria ter feito o final com calma, pra fechar todas as lacunas da história e não precisar de um "21th century boys" —esse é o nome do mangá que encerra mesmo a história, e de uma forma bela. No geral eu achei o final bom e que 98% das perguntas foram respondidas.
O Urasawa não só foi genial na forma como escreveu a história, mas também na criação e desenvolvimento de seus personagens. Eles são únicos, e a maneira com que eles são apresentados reforça esse sentimento e personalidade de cada um. Conforme eles são desenvolvidos é possível ver a mudança deles, o amadurecimento, a bagagem em seus semblantes. Urasawa fez questão de fazer personagens complexos e vivos, com desejos, medos, erros e acertos. Cada um é tão singular um do outro e bem desenvolvido que é possível saber como cada um agiria em "x" situação. Não só os mocinhos da história, mas também o vilão. O "amigo" é um dos melhores vilões que eu já vi. A sua força opositora dos heróis, a sua ameaça constante, seus planos e manipulações que faz ele estar sempre a um passo a frente, seu desenvolvimento.