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Some of the later episodes had some more interesting fights with more than just some crystals on the line. The cast also expands a little at that point, definitely to the show’s benefit. At that point it really starts to feel like we are watching something interesting come together. There’s also this sense that Bell is really fighting for something he wants and not simply hacking at things for no reason. That’s where the praise ends in this department.
Here’s the problem: Bell doesn’t truly earn anything in his line of adventuring. Everything that helps him become stronger is either served to him on a silver platter or overcome through some ridiculous newfound level of power. Through certain attributes Bell is rendered pretty much unbeatable and given an unfair boost of all other adventures. With that you say goodbye to almost all the tension this show creates within the dungeon. If something does hold Bell back it takes no time for him to find a way around it. Some methods he uses to do so are out of left field and not properly explained.
2. Enterstage (in Japanese). July 15, 2021. Archived from the original on April 1, 2022. Retrieved March 20, 2022. ^ 舞台「東京リベンジャーズ」キービジュアル解禁、梅原裕一郎と中島ヨシキのSir Vanityが主題歌. Comic Natalie (in Japanese). Natasha, Inc. July 15, 2021. Archived from the original on November 4, 2021. Retrieved March 20, 2022.
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