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Yet in all that time focusing on him, most of the ensemble gets left out in the lurch. The “Greek chorus,” or the series of women who serve under Cid in Shadow Garden, are the prime example. They are caricatures rather than characters, a harem in principle and occasional sexual connotation, though not with Cid himself. No chance is given to develop many of them into substantial beings—they don’t even get names beyond Greek letter designations, hence why I referred to them as “Greek chorus” before—because the show’s structure deemphasizes their own relevance. Throughout most of the story, they appear for brief moments and then vanish for long stretches of time, and their contributions to Cid’s shadowy operations do little more than deliver messages or background information. There’s a bizarre fixation on several of them being either competitive, protective, or envious of other members’ breasts. Even when they fight, the moments themselves do barely enough to give the women a sense of dimension. It took nearly one dozen episodes of their sporadic appearance before I finally learned who was named what.
The more-prominent side characters of each arc do not fare much better.
9. Archived from the original on August 8, 2007. Retrieved January 29, 2009. ^ 劇場版One Piece/エピソード オブ アラバスタ 砂漠の王女と海賊たち (in Japanese). Shueisha. Archived from the original on January 11, 2013. Retrieved July 6, 2020. ^ "HUNTER×HUNTER グッズネット" [Hunter × Hunter goods net] (in Japanese). Nippon Animation. Archived from the original on July 20, 2011. Retrieved July 6, 2020.
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