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Kadokawa Shoten. Archived from the original on April 15, 2023. Retrieved August 28, 2018. ^ "Overlord, Vol. 10 (manga)". Hachette Book Group. Archived from the original on November 5, 2016. Retrieved November 5, 2016. ^ オーバーロード3 鮮血の戦乙女 [Overlord 3: The Bloody Valkyrie] (in Japanese). Enterbrain. Archived from the original on June 20, 2023.

[164] Cartoon Network dropped the show from Toonami in March 2005 due to declining ratings. [49] Yu Yu Hakusho proved to be popular in the Philippines, where it was rerun several times and managed to draw more viewers in the prime time slot than both local and foreign soap operas. [60][75][165] The animated series received a generally positive reception in North America. In January 2004, Yu Yu Hakusho was named the second best action-adventure anime by Anime Insider. [166] It was voted by the users of IGN as the tenth best animated series of all time. [167] Critical reviews focused on the series' attempt at a versatile balance of narrative, character development, and action sequences. Animerica's Justin Kovalsky defined Yu Yu Hakusho as a character-driven series and compared it to other anime like Phantom Quest Corp. , Rurouni Kenshin, and Flame of Recca in that it successfully combines different ideas such as martial arts battles, character dynamics, the supernatural, and mythology. [2] Allen Divers of the Anime News Network identified Yu Yu Hakusho as "one of the best action series out there", and noted consistently good storytelling and character development throughout his critique of key points of the series. [168][169][170][171] Todd Douglass Jr. of DVD Talk declared, "It's a fun show with a great cast, a sense of humor, and a lot of action so there's no excuse not to at least give it a chance.

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org. Archived from the original on August 7, 2020. Retrieved August 7, 2020. ^ "Winners Of The Seoul International Drama Awards 2020". Soompi. September 15, 2020. ^ "2020 MAMA Announces Nominees + Voting Begins". Soompi. October 29, 2020. ^ "Winners Of 2020 Mnet Asian Music Awards". Soompi. The series centers on Nana Osaki and Nana Komatsu, two women who move to Tokyo at the age of 20, with the story focused on Nana O. 's pursuit for fame and Nana K. 's pursuit for romance, all while struggling to maintain their friendship. The manga was adapted into a live-action film in 2005, with a sequel released in 2006. An anime television series adaptation by Madhouse directed by Morio Asaka aired on Nippon TV between April 2006 and March 2007. All Nana media has been licensed for English language release in North America by Viz Media, which serialized the manga in their Shojo Beat magazine until the August 2007 issue, while also publishing it in the tankōbon format. They released both films in 2008, and their English dub of the anime was broadcast on the Funimation Channel beginning in September 2009. In 2002, Nana won the 48th Shogakukan Manga Award for shōjo category. As of September 2019, the manga had over 50 million copies in circulation, making it one of the best-selling manga series. Plot[edit] See also: List of Nana characters On March 5, 2001, Nana Osaki and Nana Komatsu (nicknamed Hachi)[a] cross paths when they both move to Tokyo after turning 20 years old: Nana O. to pursue a professional music career with her band, Black Stones, on her own merit; and Nana K.
It’s a movie that whilst easily stands out from the typical Ghibli picture, arguably could not have been produced by any other studio. Breath-taking landscapes, delightful character designs and a keen attention to detail are lucid across its runtime, constantly emphasizing the smaller moments just as much as the larger ones. It takes a special group on staff to pour so much effort into each scene, having managed to hold up over 30 years since its release. They did a remarkable job, especially when realizing this was being produced alongside Ghibli’s other feature film at the time, My Neighbor Totoro. Both impressive in their production, but ironically have conflicting views on innocence; where Totoro celebrates the blossoming times of childhood, here those wonders are short-lived; slowly crushed under the weight our leads are burdened with.
A brief overview of the synopsis would give the impression that Grave of the Fireflies is first and foremost an anti-war film, depicting the harsh nature and consequences of conflict for the audience to bear witness to.