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It’s deep, actually, the characters don’t have obvious growth because they aren’t obvious archetypes! Look at all these metaphors you’re ignoring!”
Yes, this is a show where a lot of context is very blink or you’ll miss it. Every episode is more or less its own story with a distinct message. You never know what you’re gonna get and I don’t intend to spoil that here. It can be pretty fun trying to break the individual messages of episodes, but a lot of these focusing choices, which I know exist the way they are because of Sonny Boy’s anime-original status, are easy to be overshadowed by the influx of lore, as well as Natsume’s visual direction.
Sonny Boy’s at least a show that’s easy to appreciate on a stylistic level. Eguchi Hisashi, who hasn’t designed anime characters since the turn of the millennium, created a very distinctly designed cast in spite of their similarities from the head down. The way characters’ faces look avoids following the lazy expectation for modern anime art direction. Most episodes have some sort of impressive visual flex, like Episode 2 with the atmosphere established by the paper-looking blue fire, though particularly Episode 5 and Episode 8 for their specific style of animation and shading when distinguishing the mental realms. The mental twisting of many dimensions of pattered color is a particular animation highlight whenever it comes up, the bus flying through it in Episode 9 like it were The Magic School Bus’s serious YA adaptation. It does tend to shortcut with several static shots of faceless characters, but it has an especially unique choice for background characters in them being shaded like the type of “anime minimalist wallpaper” you can easily find on Google Images. There’s this scrapbook uncanniness to some of the scenes while avoiding the scrunched-up outlines often seen on characters out of focus, adding to the many wallpaper-worthy shots appearing throughout.

ISBN 4-08-872712-6. ^ a b Oda, Eiichiro (1999). "95. まわれ風車". 東一番の悪 (in Japanese). Vol. 1, no. 5. San Francisco, CA: Viz Media. May 2003. ISSN 1545-7818.

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Because the video transfer is the same one used by the Japanese version, the text used for the title, intertitles and credits, are in Japanese, even though these were previously changed for the VHS release of the English dub. The first-print run of the DVD featured several translation mistakes on the subtitles. Later prints of the DVD (which used a different cover artwork) contain corrected subtitles. Reception[edit] The English dub version of the movie was released two years after Viz Communications' short-lived first translation of the manga, and received mixed reviews. Upon release, Richard Harrington of The Washington Post criticized the violent nature of the movie and quality of the animation, saying that "watching it you will feel as comfortable as a hemophiliac in a razor blade factory". [6] Stephen Holden of The New York Times wrote that "in its carelessly translated and poorly dubbed English adaptation, the characters express themselves in diction so stiff that they seem ludicrously prissy". [7] In 2005, a review from Akemi's Anime World called it "so bad it's good, and the original in the genre" and calls quality of the dub "cheesy", but "suitable". [8] The 1996 movie guide "Seen That, Now What?", the animated film was given the rating of "C", in which it is described as having a good story and impressive post-apocalyptic background scenery, being offset by stiff character animation and excessively gory violence. [9] American Wrestler John Cena has said that Fist of the North Star is his favourite anime movie. [10][11] Notes[edit] ^ The 2008 Region 2 DVD release is titled Gekijōban Seikimatsu Kyūseishu Densetsu Hokuto no Ken (劇場版 世紀末救世主伝説 北斗の拳, lit. "Fist of the North Star Theatrical Edition: The Legend of the Savior of the Century's End"), distinguishing it from the Hokuto no Ken TV series aired from 1984 to 1986. And that’s the whole point. Recommended VideosWith drills underway now, NATO is baring its fangs in its biggest exercises since the Cold War, sending an unmistakable message to Russia that alliance members are ready to defend each other if needed. Having watched Russia’s full-scale invasion of Ukraine, now in its third year, the NATO training aims to cover all eventualities. That can include trying to catch troops off guard. This week, crew members aboard the French frigate Normandie, one of France’s most modern warships, were roused from sleep and scrambled to hunt down and kill a submarine that snuck into cold Norwegian waters. The submarine belongs to Germany, also a NATO member.