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"Japanese Politicians Get in a Mess For Using Demon Slayer Designs on Campaign Posters". Crunchyroll. Archived from the original on February 23, 2021. Retrieved August 30, 2021. ^ Baseel, Casey (February 8, 2021). "Japanese politician piggybacks on 'Demon Slayer's' popularity by exploiting copyright loophole".

Chicken NuggetA woman steps into an odd machine and becomes. a chicken nugget?! Now, it’s up to her father and admirer to embark on a zany quest to bring her back. 3 Body ProblemAcross continents and decades, five brilliant friends make earth-shattering discoveries as the laws of science unravel and an existential threat emerges. The 8 ShowEight individuals trapped in a mysterious 8-story building participate in a tempting but dangerous game show where they earn money as time passes.

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^ a b 祝!TVアニメ化「ベルセルク」1巻〜14巻無料試し読み!!. music. jp [ja] (in Japanese). MTI Ltd. [ja]. July 10, 2016. Archived from the original on July 13, 2016. Retrieved December 2, 2019. 「ベルセルク」(作・三浦建太郎)は「ヤングアニマル」誌の前身である「月刊アニマルハウス」1989年10月号より不定期に連載開始され [Berserk (written by Kentaro Miura) has been serialized irregularly since the October 1989 issue of Monthly Animal House, the predecessor of Young Animal magazine. ] ^ 月刊アニマルハウス10月号のおしらせ [Monthly Animal House's October issue announcement]. Monthly Animal House (in Japanese). 7.
Episode 6 of Saekano is the first episode where I thought the show was being genuine. The episode frames Utaha as the creator and Tomoya the consumer, and the show asks: how far should an author go to in trying to please their readers? And I feel that the show gave a good answer to the question: fans want something that the creator wrote, not something that would go with their expectations. The framing of the scene was even reminiscent of White Album 2: two high school kids throwing their emotions at each other under the snow might be a clichéd scene, but if there’s anyone who can make it work, it’s Fumiaki Maruto.
Episode 9 is another good episode that gave Eriri much-needed characterization past her generic tsundere shtick. This time, the show asks why a creator, well, creates works for fans – for whose sake are they putting out content? Again, the show frames this question with Tomoya as the consumer and Eriri as the creator: does Eriri draw so she can get better for her fans, or does she just draw to satisfy herself and stay where she is? Eriri finds her foot forward when she decides to get better at drawing to win over Tomoya and satisfy her fans. The show doesn’t give a complete answer, but it gave her character a push forward.
Ultimately, I think Saekano’s best point was Katou Megumi’s character: the deadpan non-otaku who joins the group as the “main heroine”. There’s no mistaking that the title’s “boring heroine” refers to Katou: the show keeps referring to her as having “no character” and a “half-assed personality”. On the contrary, her character doesn’t conform to the show’s pre-established archetypes: even though she doesn’t stand out within the show, Katou is perhaps the most memorable character because she’s not a generic archetype. And this is what I think the show was trying to accomplish with Katou: characters should be people, and not just generic archetypes.