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This clues us into two insights: that Nami has a soft spot for Sanji, but also that she knows she can manipulate him to do what she wants, as if she were a senpai (see below!) and he were a younger boy. Chan Chan is kinda-sorta like the female version of kun, except that it’s cuter-feeling. It also can be a bit broader than kun, gender-wise, in referring to any child or pet—specifically because of that cuteness connotation. Chan also carries a vibe of sweetness and innocence. As such, chan can also be a term of endearment, especially for older women. For example, you can use it for a granny-type who’s a total sweetheart. Chan is also a common way for girls or women who are friends to refer to one another. But if a guy in a romance anime starts referring to a girl as chan, that means he thinks she’s cute and is probably developing feelings for her. Basically, my personal rule-of-thumb boils down to kun being boy-ish and for buds, and chan being girl-ish, cute, and playful. Sama Sama is basically the intense version of san. Like san, it’s gender-neutral, but it holds a much higher degree of deference.

Boruto however quickly accepted his apology and admitted he was glad that he got the chance to better understand Mitsuki as a person, hoping to learn more about each other, with Sarada also agreeing to it. Later, due to Kurotsuchi's gratitude and recommendation, it was decided that Team 7 genin's shinobi status would be restored. Jūgo Arc[] Main article: Jūgo Arc Boruto encounters Jūgo. In the anime, some time later, Team 7 and the genin of Team 15 went on a mission to investigate attacks on a village from its wildlife. Accompanied by Tosaka, the group were attacked by birds and separated. Finding himself attacked by a monstrous man, Boruto was saved by Nue.

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To that end, he is using the weaknesses and doubts in the characters to try to bring them to his side. However, later episodes reveal that not everyone in The Siblings fully trusts their leader and some begin to move on their own. Oropo Voiced by: Franck Lorrain (French); Christopher Corey Smith (English) The mysterious leader who appears in a large cloak with an owl-like mask who is the main antagonist of season 3 and the central villain of the series overall. Oropo believed that the current gods are lazy and selfish, and wants to usurp them alongside The Siblings. Oropo is very calm and persuasive individual, able to win others to his side with these traits. He claims to hate violence and chaos, and is lenient on others despite what he considers flaws in their personalities. He also follows the principles of the end justifying the means, and that sacrifice is necessary for change. He refers to himself as a non-existence. At the end of season 3 where he is revealed to be the last of the Eliotropes, a shadow-clone race accidentally created by Yugo in his image before he fought Ogrest. Once his identity is revealed, he shows a dark version side of himself. He identifies the same traits in Yugo and longs to replace him and be the "real" Yugo. Volg was unable to escape as Ippo keeps closing in on him, punching his guard while dodging his punches. As Volg stepped back and Ippo continued charging at him again, Volg launches the White Fang, which Ippo caught both hits of the technique. Ippo and Volg threw left and right jabs while moving along the side of the ring at close range. Ippo ducked to the left under a strong right straight and lands a Liver Blow. Volg threw a left uppercut that grazes Ippo's face and then stepped back to throw a Hien that Ippo catches. Ippo blocked a barrage of punches coming at his face before realising that Volg will strike from below where he isn't guarding.
AdvertisementPrevious SlideNext Slide5 / 14List slidesVivy: Fluorite Eye’s SongList slidesVivy: Fluorite Eye’s Song AdvertisementHere’s the elevator pitch for Vivy: Fluorite Eye’s Song (probably): Hatsune Miku halts her dream of making the world hers after she’s called to action to put down her microphone and pick up a gun à la Major Motoko Kusanagi from Ghost In The Shell to prevent an AI uprising that wipes out humanity 100 years in the future. If you’re sold on that premise, you should check out Vivy: Fluorite Eye’s Song. I was surprised to see that Vivy branched a typical sci-fi action series into a thoughtful exploration of what makes us human. The show has many hearty episodes that focus on the complex natures of jealousy, greed, and loneliness. Some of the standout episodes even rival that of an introspective Cowboy Bebop episode (the anime not the live-action show) in how they let ideas and heartbreaking scenes breathe. Plus, when the action hits, it hits. Vivy’s sick-ass fight scenes feature some of the smoothest movie-quality sakuga animation I’ve seen in an anime series, which shouldn’t come as any surprise since Wit Studio is the same production company behind the first three seasons of Attack on Titan. AdvertisementPrevious SlideNext Slide6 / 14List slidesTo Your EternityList slidesTo Your Eternity AdvertisementNot many anime pass the three-episode test run from the jump, but To Your Eternity had me choking back tears from the first episode. To Your Eternity is the anime adaptation of Yoshitoki Ōima’s The Immortal. The series follows an immortal creature called Fushi that starts its long existence as a rock before taking the forms of a wolf and human as it observes humanity. Ōima-san also happens to be the mangaka behind A Silent Voice, and its opening theme “Pink Blood” is sung by none other than Hikaru Utada, so my being moved to tears doesn’t come as a surprise.