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Riveting personality traits such as, “seems to like anime and stuff,” are detailed within. I mean, holy fucking seriously?!?! There’s no way this is supposed to be from God Yuichi’s perspective, right? Was this a description of his best friend, or one-third of the nation of Japan?! Not only are these depictions inane, but they’re simply unnecessary, because there are absolutely ZERO relevant personality traits you need to know about any character to actually watch the show. These people are not friends nor are they people; they’re stock character templates whose job is to stand around passively while getting used or manipulated by God Yuichi without the slightest hint of having any agency of their own, completely sapping the conflicts of any excitement or worthwhile drama, all the while only committing to expressing themselves in the most generic mannerisms that their archetypes allow. I suppose the point is to make God Yuichi look cool so the viewers can use the series as some sort of sadistic self-insert power fantasy to get off on the idea of themselves being this much of an edgelord (please, get real, no one is as godly as God Yuichi), but this has the same effect as seeing LeBron James dunking on blind, deaf, disabled, amputee toddlers. Ultimately, these conflicts are meaningless because everyone just moves right onto the next equally tedious and overblown stage of the Squid Game while effectively nothing has changed or evolved in any real or emotional terms, and this is all true even despite the biggest puff of smoke the series insists on blowing up its own ass: the plot twists. The so-called plot twists in this show are completely empty and have no real bearing on the story in the same way that the conflict has no real bearing on the plot, and some of them—many of them, in fact—are invalidated within minutes.

However, he also developed gynophobia, an abnormal fear of women. With just one touch from a girl, his nose bleeds uncontrollably, he sweats excessively, and in rare cases, faints abruptly. His life changes for the worse because of a fated meeting in the restroom. While trying to escape from a girl, he discovers that the most popular student in their school, Subaru Konoe—the butler of the headmaster’s daughter, Kanade Suzutsuki—is actually female! Surprised, Subaru violently assaults Kinjirou, dealing significant damage and knocking him unconscious. When he comes to, he meets Kanade. In exchange for his silence, she promises to help cure his phobia.

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I do commend them a bit for doing that. It’s what makes Trigger the studio they are known for nowadays. Did the risks pay off in the end? I’d say hardly because the final few episodes in the show really made me scratch my head wondering if the creators planned this out in the beginning. The incredibly rushed plot is stuffed with cheesy dialogues and subplots that felt irrelevant. The power of love trope is so overused in this show that the final arc felt mindless and it took me awhile to get it over with. There’s a feeling of the anime of cooking up drama for the sake of drama. The worst part ends up being whether we should care about all this or not. Because honestly, I think this show went way over itself in trying to be something special. Instead, it became a hollow shell of itself and degenerated its own legacy.
By animation quality standards, Darling in the Frankxx maintains a consistent flow throughout the show. The first few episodes made it clear that there would be over the top action and it didn’t betray expectations. To put things short, Yusuke is pretty fed up with his life. However, no one expects a sudden act of heroism on his part: he dies trying to save a little boy from a speeding car. When he arrives in the afterlife, he is informed that the child would have miraculously survived and had it not been for him the child would have one less scratch on his right arm. His act of heroism, therefore, was "a complete & utter waste. " Yusuke's premature death was unexpected and unnecessary, and the afterlife was not prepared for his arrival. After numerous tests to gauge his worth, Yusuke is eventually revived and is assigned to work for the Spirit World as a detective investigating demon cases in the human world. He comes into spiritual abilities of his own and enlists the help of numerous friends from Spirit World, Demon World, and Human World to aid him in his cases as they fight off demons and humans seeking to rule over all three worlds. Characters[] Main article: List of YuYu Hakusho characters Also, see list of YuYu Hakusho Voice Actors (Japanese) Production[] Togashi said that he began working on YuYu Hakusho during a period around November 1990; Togashi said that he forgot the exact time. [1] When first creating the series, Togashi did not have a clear idea of what he wanted to call it. When presenting rough drafts to his editors he used the tentative title "How to be a Ghost". Once given the go-ahead to begin publication, Togashi proposed "YuYu-Ki (Poltergeist Chronicles)" for the title, as there would be battles with demons and it would be a play on SaiYu-Ki.
AnimesTops 30 des animes de 2023
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