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Kimlinger and Tucker were impressed by the art direction of Hunter × Hunter, the former of whom critiquing the adaptation of Togashi's work by Furuhashi as having "understated energy and flair, making the most of the era's (1999) mix of traditional and CG animation to bring Gon and friends' physical feats to fluid, exhilarating life. "[72][182] Martin faulted both the artwork and the subtle differences in character design. "The artistry not only shows its age but, in fact, looks older than it actually is," the reviewer commented, "hearkening back to a day when digital coloring and CG enhancements were not ubiquitous and allowances for a rougher look were greater. " Opinions of the series' sound and music have been somewhat mixed. Martin positively noted the soundtrack as the strongest production point of Hunter × Hunter, and was satisfied with both the English translation of the script and Ocean's voice overs. [13] Tucker found the music satisfactory and improved as the series progressed, but did not think it lived up to its potential. [182] Kimlinger agreeably felt the musical score to be appropriate in most instances, but criticized the English dub as "a letdown since day one". [14][15] 2011 series[edit] Madhouse's 2011 adaptation was met with near-universal critical acclaim. Adrian Marcano from Inverse considered Hunter x Hunter 2011 to be one of the greatest anime series ever. He said that the anime set itself apart with one of the greatest story arcs in anime history in which the villain, not the hero, takes the anime to instant classic status. He also said that, "It is in the 2011 version where we see probably one of the best story arcs in anime history: the Chimera Ant Arc.

ojoutobankenkun. com (in Japanese). Retrieved September 29, 2023. Further reading[edit] 漫画『お嬢と番犬くん』で極道×溺愛のギャップにハマる女子急増中. Friday Digital (in Japanese). Kodansha.

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^ Rea, Jasmine (6 May 2010). "In Defense of Fragile Dreams: Farewell Ruins of the Moon". Bitmob. VentureBeat. Archived from the original on 23 July 2012. Further reading[edit] Goldberg, Wendy (2009). "Transcending the Victim's History: Takahata Isao's Grave of the Fireflies". Mechademia. 4 (1): 39–52. doi:10. 1353/mec. Elsewhere, Tanjiro, Nezuko, and Genya struggle against Zohakuten’s dragons; Tanjiro is swallowed by one and nearly crushed in its jaws when Mitsuri arrives, slicing it apart and saving him. She then makes her way to rescue Nezuko and Genya. 5410"Love Hashira Mitsuri Kanroji"
Transliteration: "Koi Bashira Kanroji Mitsuri" (Japanese: 恋柱・甘露寺蜜璃)Yūji ShimizuYūji ShimizuJune 11, 2023 (2023-06-11)7. 6% Mitsuri destroys the dragons, but is violently stunned by Zohakuten while attempting to behead him. He moves to kill her as she recalls her past: as a child, she developed her abnormal strength, unique hair color, and large appetite at a young age. Once a source of pride, she later attempted to hide these traits after an annulled marriage proposal caused her to long to be seen as normal.