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Structured similar to a road movie, the series focuses on tolerance and acceptance of minorities contrasted against its setting, with a central theme being the portrayal and acceptance of death. Director Shinichirō Watanabe began planning for the series in 1999, creating the characters and premise during his work on Cowboy Bebop: The Movie and The Animatrix, and began pre-production in 2002. The staff included character designer and animation director Kazuto Nakazawa and writers Shinji Obara and Yukihiko Tsutsumi of Office Crescendo. The music was composed by hip hop artists Shinji "Tsutchie" Tsuchida of Shakkazombie, Fat Jon, Nujabes and Force of Nature. The production was unstructured, with the scenario going through multiple revisions, and Watanabe bringing in multiple guest creators to ensure a high animation quality. Reception of the series has been positive, with praise focusing on its animation and music, and proved a commercial success in the West.

Créatures[modifier | modifier le code] Les créatures, généralement composées de 2 animaux existant (l'ours-ornithorynque, la chauve-souris-loup), sont omniprésentes dans la série. Aang et ses compagnons les découvriront au fur et à mesure de leur aventure. Parmi les plus importantes, on peut citer : Taupes-Blaireaux (domaine: maîtrise de la terre): ce sont les premiers maîtres de la terre, qui enseigneront à Oma et Shu la maîtrise de la terre. Les Taupes-Blaireaux sont aveugles et vivent sous terre, c'est d'ailleurs l'une d'entre elles qui apprendra à Toph la maîtrise de la terre grâce à leur handicap commun. Bisons volants (domaine : maîtrise de l'air) : ce sont les fidèles compagnons des maîtres de l'air, tout comme les Lémuriens. Les Bisons-volants sont d'ailleurs les premiers maîtres de l'air. Aang, l'avatar, est ami avec l'un d'entre eux qu'il a prénommé Appa Dragons (domaine : maîtrise du feu) : animal-totem de la Nation du Feu, les dragons ont toutefois presque tous péri après que le Seigneur du Feu Sozin initia une chasse au dragon pour la gloire. Espèce considérée comme éteinte, il reste seulement deux représentants, protégés (ou protégeant) la Tribu du Soleil. Tortues-Lions (domaine : maîtrise de l'énergie). Elles ont l'apparence de tortues géantes. Créatures très anciennes et respectées même par les esprits anciens.

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An official fanbook and comic anthologies based on both the game and the anime have also been published. [56] A mini light novel written by Ryohgo Narita, titled Danganronpa IF: The Button of Hope and the Tragic Warriors of Despair (ダンガンロンパIF 希望の脱出装置と絶望の残念無双, Danganronpa IF: Kibō no Dasshutsusōchi to Zetsubō no Zan'nen Musō), is unlockable in Danganronpa 2: Goodbye Despair after clearing the game once. The story takes place in an alternate universe where Makoto manages to find an alleged escape switch. [57] The prequel, Danganronpa Zero, takes place in Hope's Peak Academy shortly before the events of "The Tragedy", following an anterograde amnesiac protagonist, Ryoko Otonashi, while detective Kyoko Kirigiri searches for its perpetrator, the mysterious Izuru Kamukura. The light novel series Danganronpa: Kirigiri, which takes place before the events of the first game, follows a young Kyoko Kirigiri and her assistant Yui Samidare over the course of several years as they set out to become private detectives, rising through the ranks of the Detective Shelf Collection (探偵図書館, Tantei Toshokan). [58][59] Kirigiri Sou, which takes place before the first game and after the events of the light novel series Danganronpa: Kirigiri, follows college student Kouhei Matsudaira and Kyoko Kirigiri, as both of them investigate a mysterious mansion ruled by the influence of a plant hybrid doppelgänger of Kyoko (known as Kyoka) created by Santa Shikiba and her "siblings", the Rhinogradentia. The light novel trilogy Danganronpa: Togami, which takes place before and during "The Tragedy", follows Byakuya Togami and his secretary and biographer Blue Ink after he is stranded naked in Prague with her by the Ultimate Despair organization, as the Ultimate Imposter takes over the Togami Conglomerate and announces worldwide that lest he (the real Byakuya) be assassinated within the following 24 hours, the Ultimate Despair group will "end the world. " The second volume also focuses on a younger Byakuya and the Imposter as they compete against fifteen of their siblings in the Togami family competition for the position of Togami heir, which quickly devolves into a killing game. The manga series Danganronpa Gaiden: Killer Killer, which takes place between the events of the first two games, follows rookie and veteran Future Foundation agents Misaki Asano and Takumi Hijirihara, the latter of whom leads a secret parallel life as a vigilante serial killer obsessed with Mukuro Ikusaba, who only kills other murderers. A short story booklet titled Danganronpa: Makoto Naegi Secret File – The Worst Day Ever (ダンガンロンパ Makoto Naegi Secret File 苗木誠、人生最悪の日, Naegi Makoto, Jinsei Saiaku no Hi), written by Kazutaka Kodaka, was included with special editions of the first Japanese Blu-ray and DVD release of Danganronpa: The Animation, serving as an origin story relating how Makoto came to be selected as the "Ultimate Lucky Student" of Hope's Peak Academy. [60] Alongside the next anime, a manga spin-off illustrated by Mitomo Sasako, titled Killer Killer, began serialization in Kodansha's Bessatsu Shōnen Magazine from March 9, 2016.
Visit MALxJapan MALxJapan -More than just anime- Your guide to 2024's Must-Read Manga is here 📖 Answer the Anime & Manga Survey to help shape the future of streaming Puppies, monster meat and k-pop loving yakuza?!?—here are Kodansha's top picks 📚 EditRelated AnimeAdaptation:86Sequel:86 Part 2Summary:86 Special Edition: Senya ni Akaku Hinageshi no Saku
More charactersCharacters & Voice Actors Milizé, Vladilena Main Hasegawa, Ikumi
Japanese Nouzen, Shinei Main Chiba, Shouya
Japanese Kukumila, Kurena Supporting Suzushiro, Sayumi
Japanese Emma, Anju Supporting Hayami, Saori
Japanese Rikka, Theoto Supporting Fujiwara, Natsumi
Japanese Shuga, Raiden Supporting Yamashita, Seiichirou
Japanese Taniya, Kaie Supporting Shiraishi, Haruka
Japanese Keats, Haruto Supporting Yamashita, Daiki
Japanese Penrose, Henrietta Supporting Sugiyama, Riho
Japanese Irma, Daiya Supporting Ishiya, Haruki
Japanese
More staff Staff Nakayama, Nobuhiro Producer Fujii, Shouta Producer Ishii, Toshimasa Director, Episode Director, Storyboard Aketagawa, Jin Sound Director
Edit Opening Theme Preview Spotify Apple Music Amazon Music Youtube Music "3-pun 29-byou (3分29秒)" by hitorie Edit Ending Theme 1: "3-pun 29-byou (3分29秒)" by hitorie (eps 1) 2: "Avid" by SawanoHiroyuki[nZk]:mizuki (eps 2-3, 5, 7, 10, 11) 3: "Hands Up to the Sky" by SawanoHiroyuki[nZk]:Laco (eps 4,6,8)
Reviews Write review 212 Recommended 41 Mixed Feelings 42 Not Recommended All reviews (295) Jun 19, 2021 Marinate1016 Recommended The word masterpiece gets thrown around so much these days, it’s nearly lost its meaning. The literal meaning being the defining work of an individual’s career. I’m here to tell you now, Eighty-Six:86 is a masterpiece in the truest sense of the word and is one of the best stories in the modern history of the medium. 86 depicts the brutal nature of war, racism and oppression in such a way that you can’t help but to be absorbed into the story, characters and fall in love with the series.
From the time it was announced that my favourite LN series would be getting an anime . adaptation, I was filled with excitement at the prospect of seeing my fave scenes and characters adapted. Unfortunately, I could not help feeling a sense of dread as well given the studio that would be adapting it. A-1 have had a pretty inconsistent track record over the past decade or so.
Retrieved November 14, 2020. ^ Mateo, Alex (January 26, 2022). "The Day I Became a God Manga Ends". Anime News Network. Archived from the original on January 26, 2022. Retrieved January 26, 2022. ^ a b "神様になった日 1" (in Japanese). Kadokawa. Archived from the original on May 21, 2021. Retrieved May 21, 2021. ^ a b "神様になった日 2" (in Japanese).