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[18][19] Initially, Murai wrote the first draft of the script, and Kon added or removed ideas from it. They spent a lot of time discussing, and many of the ideas came out of that. [19] Next, Kon wrote all the storyboards, where he also made changes to dialogue and other elements. [16][19] The drawing work was also carried out in parallel. [16] The company that purchased the videogram and television rights to Perfect Blue before the film was completed advised the distributor to submit the film to the Fantasia International Film Festival in Montreal, Canada, so that it could be released overseas first. [21] Since it was his first film, director Kon was still unknown. Therefore, the distributor introduced the film as the first directorial effort of a disciple of Katsuhiro Otomo, the creator of Akira, which had already become a hit overseas. [21] Otomo is credited as a planning collaborator, but he never arranged for the company to ask Kon to direct the film, nor was he involved in the film. However, it seems that Otomo once advised the original author about the circumstances of the animation industry when he was touting around the animation project here and there. [18][19] At Fantasia, the film was so well received that a second screening was hurriedly arranged for those who could not see it, and it was eventually voted by the audience as the best international film. [26] Thanks to that, the distributor began to receive invitations from more than 50 film festivals, including Germany, Sweden, Australia, and South Korea.

^ Clark, Nick (29 September 2023). "Lupin on Netflix review: French crime caper is still slick but has lost a little of its oh la la". Evening Standard. Archived from the original on 13 October 2023. Retrieved 12 October 2023. ^ Sepinwall, Alan (5 October 2023). "'Lupin' Part Three Doesn't Give Omar Sy Nearly Enough Help". Rolling Stone. Archived from the original on 13 October 2023. Retrieved 12 October 2023. ^ Latif, Leila (5 October 2023).

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Bee specifically is reminiscent of Usagi in that she is a Loser Protagonist and becomes a Magical Girl who fights in space after she meets a cat (dog. thing. ) Character design falls short of just being anime altogether. Many of the early BIONICLE web animations had shades of this. The character models were very faithful to the sets, but they would occasionally include things like Sweat Drops, Blush Stickers, and stylized motion-blur backgrounds for action sequences. The Machinimas Brawl Universe and Smash King tend to heavily lean on the side of anime with how their episodes are filmed and edited, as they tend to use EyeCatchers, Japanese Opening/Ending themes as well as Cold Openings, and their action sequences do borrow from anime with the Effects of White/Black spikes surrounding the screen if something dramatic happens, as well as sometimes using transformations in battles. Broken Saints: This was more notorious before the Animation Bump, with the first episodes being redone in a more realistic style. However, it still had some visual influence from anime. CAPTAIN YAJIMA, a short film made by Ian "Worthikids" Worthington of BIGTOP BURGER fame, is an interesting example. Oricon (in Japanese). June 24, 2020. Archived from the original on December 30, 2020. Retrieved October 2, 2020. ^ 【上半期本ランキング】『ONE PIECE』既刊1~105巻すべて累積売上部数100万部超え、歴代1位の大記録. Oricon News (in Japanese).