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Grave of the Fireflies. BFI. ^ Etherington, Daniel. "Grave of the Fireflies (Hotaru no haka)". Film4. Channel Four Television Corporation. Archived from the original on 22 March 2013. Retrieved 23 November 2012. ^ Interview published on May 1988 edition of Animage ^ Takahata, Isao (1991). 映画を作りながら考えたこと [Things I Thought While Making Movies] (in Japanese). Tokuma Shoten.

Following the release however, Les Films du Paradoxe chose to release the film on video cassettes and on the streaming service Canal+. [61][62] Public reactions[edit] After the international release, it has been noted that different audiences have interpreted the film differently due to differences in culture. For instance, when the film was watched by a Japanese audience, Seita's decision to not come back to his aunt was seen as an understandable decision, as they were able to understand how Seita had been raised to value pride in himself and his country. Conversely, American and Australian audiences were more likely to perceive the decision as unwise. [63][64] Accolades[edit] Year Award Category Recipient Result 1989 Blue Ribbon Awards Special Award Isao Takahata Won 1994 Chicago International Children's Film Festival Animation Jury Award Won Rights of the Child Award Won Derivative works[edit] Planned follow-up[edit] Following the success of Grave of the Fireflies, Takahata drew up an outline for a follow-up film, based on similar themes but set in 1939 at the start of the second World War. This film was called Border 1939, based on the novel The Border by Shin Shikata, and would have told the story of a Japanese teenager from colonial Seoul joining an anti-Japanese resistance group in Mongolia. The film was intended as an indictment of Japanese imperialist sentiment, which is briefly touched upon in Grave of the Fireflies. Although Takahata finished a full outline (which is republished in his book Thoughts While Making Movies), the film was canceled before production could start due to the 1989 Tiananmen Square protests. Public opinion in Japan had turned against China, and Ghibli's distributor felt a film partly set there was too risky. [65] 2005 live-action version[edit] Main article: Grave of the Fireflies (2005 film) NTV in Japan produced a live-action TV drama of Grave of the Fireflies, in commemoration of the 60th anniversary of the end of World War II. The drama aired on 1 November 2005.

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Archived from the original on July 5, 2022. Retrieved July 4, 2022. ^ McMahon, Andrew (September 12, 2022). "Cyberpunk: Edgerunners Gets an Atmospheric Ending Theme Called "Let You Down"". Twinfinite. Archived from the original on September 12, 2022. Retrieved September 12, 2022. ^ "Cyberpunk: Edgerunners soundtrack – Every song in the Netflix anime series". No. Radio Times. Archived from the original on September 29, 2022. ^ Cookie 新ガールズ・コミック 5月26日創刊 [Cookie New Girls Comic – First issue on May 26] (in Japanese). Shueisha. Archived from the original on August 27, 2000. Retrieved July 14, 2021. ^ "Topics" (in Japanese). Shueisha. Archived from the original on November 5, 2022. Retrieved November 4, 2022. ^ キメツ学園! 5 (in Japanese). Shueisha. Archived from the original on January 15, 2024.
SNK produced Samurai Shodown 64 for the Hyper NeoGeo in December 1997. Its graphics weren't nearly as smooth or cutting edge as the games Sega and Namco had put out earlier in the year, and, in fact, the game barely held up to scrutiny when compared to the PlayStation versions of Tekken 2 and Soul Blade that were available at the time. Not surprisingly, a PlayStation version of the sequel to Samurai Shodown 64, Samurai Shodown: Warrior's Rage, was later produced for the PlayStation by SNK. All told, seven games were produced for the Hyper NeoGeo 64 during its brief two-year life span. Roads Edge was a decent racing game that put players behind the wheel of trucks and RVs. Around the time that SNK was introducing the Hyper NeoGeo 64 to arcade distributors, the company decided to once again expand its operations in North America. Generally speaking, Japanese business people prefer to deal with people they know and trust. In the fall of 1997, John Barone was asked to come back and manage the newly formed SNK USA. Barone's new title was executive vice president. Right off, he installed his wife, Susan Barone, as vice president of SNK USA's consumer division. This wasn't an instance of nepotism though.