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[142] Academic Timothy J. Craig attributes Sailor Moon's
international success to three things. First was the show's
magical girl transformation of ordinary characters into superheroes. Second was the ability of marketers to establish the international audience's connection to characters despite their culture being Japanese. The third was that the main superhero was female, something which was still rare in pop culture in countries like the United States during the 1990s. [143] In his 2007 book Manga: The Complete Guide,
Jason Thompson gave the manga series three stars out of four. He enjoyed the blending of shōnen and shōjo styles and said the combat scenes seemed heavily influenced by Saint Seiya, but shorter and less bloody. He also said the manga itself appeared similar to Super Sentai television shows. Thompson found the series fun and entertaining, but said the repetitive plot lines were a detriment to the title, which the increasing quality of art could not make up for; even so, he called the series "sweet, effective entertainment. "[135] Thompson said although the audience for Sailor Moon is both male and female, Takeuchi does not use excessive fanservice for males, which would run the risk of alienating her female audience. Thompson said fight scenes are not physical and "boil down to their purest form of a clash of wills", which he says "makes thematic sense" for the manga.
Viz Media. p. 194. ISBN 978-1-4215-1888-6. ^ a b "Death Note Manga Spawns Movie, Crime Wave". Wired. Archived from the original on May 20, 2017. Retrieved
December 19, 2015. ^ "One
Piece x Toriko Crossover!". Viz Media. March 12, 2012.
Furthermore, he's very powerful- Apparently overpowered MCs are acceptable as long as they're not designed like teenage boys, which makes it admitedly harder for neckbeards to relate to. But Momonga's degree of power exceeds even that- He's powerful to the point that
nearly nothing poses a serious threat to him. This is a problem in storytelling because no
conflict is ever relevant- Momonga's powerful enough to just solve it easily without any effort. One could say that it was the writer's intent to make Momonga seem powerful and impressive, but it doesn't even do that correctly. Power is relative, so when Momonga just one-shots random fodders that spend more time boasting about themselves than actually showing what they're capable of, it's not impressive in the slightest. A key example of this happens in the fourth episode, where the bad guy summons what is supposedly a super-powerful monster, and when Momonga kills it, it's supposed to look impressive. But the audience doesn't know what this monster was even capable of, outside of the bad guy boasting about its supposed strength, so it just feels completely flat.
While he makes all these unnecessary convoluted plans about how he would spread his name around the world to catch the attention of those who might have been trapped in the world like him, he essentially just solves all his problems through his raw power. His problems are more self-imposed than anything due to his tendency to be incredibly paranoid due to his fear of something that “might” be more powerful than him. And to make it worse, he just outright contradicts himself near the end of the show by risking his life in an unnecessary one-on-one combat due to his ego. Brilliant.
