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There is no tension regarding him surviving or not during the fights and it’s also a motivation killer since his friends wanted to get stronger while they thought he was dead. THE REST And now for a few more things that bug me. -The comedy is mostly miss. I was hardly laughing during the comedic moments, because the jokes are all very weak in delivery and are written for toddlers. -What’s the point in having a monster hierarchy? There are difficulty levels when it comes to the monsters when the major characters can defeat the strongest grade right from the first season, effectively making the chart completely obsolete in the same episode it was introduced. -There is never an explanation for how they cover up the destruction caused by the monsters.She was especially interested in England during this period and incorporated these ideas into the manga. [6] The series has a steampunk setting. [5][9][10] The Ishbal region has similarities to the Middle East, with the plot anticipating elements of the Iraq War which later occurred in the real world. [11] When the manga began serialization, Arakawa was considering several major plot points, including the ending. She wanted the Elric brothers to recover their bodies—at least partly. [12] As the plot continued, she thought that some characters were maturing and decided to change some scenes. [7] Arakawa said the manga authors Suihō Tagawa and Hiroyuki Eto are her main inspirations for her character designs; she describes her artwork as a mix of both of them. She found that the easiest of the series's characters to draw were Alex Louis Armstrong, and the little animals. Arakawa likes dogs so she included several of them in the story. [13] Arakawa made comedy central to the manga's story because she thinks it is intended for entertainment, and tried to minimize sad scenes. [7] Conclusion[edit] When around forty manga chapters had been published, Arakawa said that as the series was nearing its end and she would try to increase the pace of the narrative.
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