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Hokuto no Ken 3 : La Légende de Kenshiro (ケンシロウ伝, Hokuto no Ken Zero – Kenshirō Den?) : film sorti au cinéma en octobre 2008 au Japon et sorti directement en DVD le 29 septembre 2010[41] en France (sous deux éditions, collector et classique chez Kazé). Spectacles[modifier | modifier le code] En 2017, un spectacle live Ken le Survivant est annoncé comme « expérience éphémère » à la rentrée 2018, et ce à l'occasion du 35e anniversaire du manga. La pièce prendra place 6 au 10 septembre, au Tokyo Dome G-Rosso[42]. La pièce ne s'articulera visiblement pas autour du personnage principal, Ken, mais autour d'une bande de malfrats aperçus dans le manga. L'équipe des acteurs comptera Ryūko Isogai, Ryūnosuke Kawai, Juri, Takeshi Hayashino, Naomichi Hanazono, et Aoi Mizuki, membre du groupe nippon AŌP[42]. En 2021, une adaptation musicale, sous le nom de Fist of the North Star, est annoncée, et reprend l'intrigue du manga, qui se déroule dans un monde post-apocalyptique, et sera cette fois centrée sur les protagonistes principaux, comme indiqué sur le site officiel[2]. Distribution[modifier | modifier le code] Anime[modifier | modifier le code] Voix originales[modifier | modifier le code] Cette section est vide, insuffisamment détaillée ou incomplète. Votre aide est la bienvenue ! Comment faire ? Akira Kamiya : Kenshiro[43] Voix françaises[modifier | modifier le code] Philippe Ogouz : Ken, Uda (2e voix), Amiba (2e voix), Gulf (homme aux chiens) et Toki (voix de remplacement, ép. 65 et 66) Luc Florian : Raoul, Zayd, Joker, Kemada, Fang (Roi des Kibas) et Heart Jean-François Kopf : Shin, Toki, Jagger, Uda (1re voix), Shew (1re voix), Amiba (3e voix), M. Uyghur (chef de Cassandra), Rihaku, Fudô et Rei (voix de remplacement, ép. 45 et 46) Sophie Gormezano : Julia, Mamiya, Irié, Toh (fille de Ryaku), Lin (épisodes 1 à 9, 76 à 78, 83 à 91) et Bart (voix de remplacement, ép.

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[85] It was scheduled to premiere in April 2020, but was delayed to July 2020 due to production complications caused by the COVID-19 pandemic. [86] Before the arrival of the second season's initial premier date, an edited version of the first season premiered on January 1, 2020, on AT-X and other channels, with the edited version recapping the first season through one-hour episodes. It also included new additional footage. [87] The OVA "Memory Snow" was also broadcast in between the episodes 5 and 6 of the edited version. The second season was announced to be in a split-cour format, with the first half airing from July 8 to September 30, 2020, and the second half airing from January 6 to March 24, 2021. [88] The English dub for Season 2 Part 1 began airing from August 26 onwards. [89] There is no standard length for each episode and the runtime is varying from 24 to 30 minutes. A third season of the anime series was announced at AnimeJapan 2023. [90] The series also became part of Isekai Quartet, a crossover comedy series with characters drawn in a chibi style. It also features characters from the light novel series KonoSuba, Overlord, and The Saga of Tanya the Evil, all published by Kadokawa Corporation. The anime premiered on April 9, 2019. But unlike the animation department, the disinterest expressed here was actually surprising once you discuss the person responsible for the bringing it together. Taku Iwasaki is not an amateur. This is a man with years under his belt. Why this wasn't audibly expressed was a bit perplexing, but then again, this is coming from a show named "Akame" ga Kill, where the titular character only gets 5 episodes worth of screentime. They must have been fans of The Legend of "Zelda" games to come up with such an absurd name choice.
The moment you start trying to "figure out" AGK's issues is the moment you're "doing it wrong," so let's proceed to dispell that idea right now by asking the impossible question: what the "purpose" behind this wonderful work of artistic vandalism was.
The main thing you can't trust is the first two episodes. They make the case that this will be a bit like Mob Psycho 100 but have an intriguing twist with its protagonist. But don't be fooled, immediately after the striking second episode the show sinks into a pit of shounen mediocrity unmatched by its competitors. The uninteresting and overdone sorcery powers aside, this show wastes no time delving into every trope imaginable, from seemingly machine-generated hype culture pandering in the handling of its battles to overpowered characters not giving a shit what they're doing, and even dipping a toe into the most tried and failed shounen cliche of all, killing main characters to create a false sense of urgency only to bring them back a minute later. Yup, another show that thinks it's audience are a bunch of halfwits. And judging by the reception this show's getting, it might be right.