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Retrieved January 2, 2021. ^ HUNTER×HUNTER/37|冨樫 義博|ジャンプコミックス|BOOKNAVI|集英社 (in Japanese). Shueisha. Archived from the original on September 6, 2018. Retrieved November 4, 2022. ^ "HUNTER×HUNTER総集編
Treasure 1" (in Japanese). Shueisha. Archived from the original on June 14, 2020. Retrieved April 22, 2014. ^ "HUNTER×HUNTER総集編 Treasure 11" (in Japanese). Shueisha.
The exhibition displayed numerous artworks drawn by Koyoharu Gotouge and also sold original goods. [82] The exhibition ran in the Grand Front Osaka from July 14 to September 4, 2022. [83] From September 17, 2021, to February 13, 2022, Universal Studios Japan hosted attractions based on the series, including the "Demon Slayer XR Ride". Other attractions include the "Hollywood Dream the Ride" and a Demon Slayer Corps special training sessions. [84][85] Universal Studios Japan is
again set to open the "Demon Slayer XR Ride" attraction from February 1 to June 6, 2024. [86] Reception Popularity and cultural impact See also: Demon Slayer: Kimetsu no Yaiba (TV series) § Popularity and cultural impact In 2020, the Demon Slayer: Kimetsu no Yaiba franchise generated an estimated annual sales revenue of ¥1 trillion ($8. 75 billion). [87][88][89] In January 2021, it was reported that Japanese sales of print books and magazines fell 1% in 2020 compared to the previous year, being the smallest per-year decline since 2006.
This small decline was attributed to an increase in reading in Japan due to the COVID-19 pandemic and the "successful boom" of the Demon Slayer: Kimetsu no Yaiba manga and its related publications. [90] According to CharaBiz, a database for character licensing business in Japan, Demon Slayer: Kimetsu no Yaiba is the highest-grossing franchise of 2020, surpassing other well-known franchises such as Anpanman, Pokémon, Mickey Mouse and Peanuts (Snoopy). [91] According to a 2020 internet poll conducted by Oricon Monitor Research, over 90% of the Japanese public is familiar with Demon Slayer: Kimetsu no Yaiba; 40.
In an interview with Anime News Network, he highlighted the many differences between the industry in Japan and the United States, such as the lack of unions. He was inspired to portray the idol world in a dark light after becoming friends with an entertainer who was attacked by a fan. While the entertainer came across as "tough", they confessed to him
that they were badly hurt emotionally from this encounter, leading Akasaka to realize that entertainers hid their true feelings for the sake of their careers and fans. Akasaka said: "I want people to know how young talents are being hurt, exploited, and suffering. I think that this work also asks the question of how people should deal with and treat those talents. "[4]
Many of the stories in Oshi no Ko are based on pieces of real-life events.
