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The characters looked as though they were ripped right out of a samurai-themed Japanese animation film, and their attacks hit with all the meaty subtlety of a freight train. Every slash and thrust was followed by a spurt of blood and a spine-chilling scream, and woe to the players who lost a match, because there was a good chance that the winner's final blow would end up cutting them in two or severing their jugular vein--unleashing a fountain of blood five feet into the air. If you've never seen or played Samurai Shodown, the mention of blood and gore might lead you to compare it to Midway's Mortal Kombat, a game that was infamous at the time for its photo-realistic portrayals of death and dismemberment. Truthfully, the two games couldn't have been any more different from one another. Samurai Shodown had three times as many attacks and combinations, giving you a richer gameplay experience, and the anime-style graphics made the blood sprays and killing blows seem almost tasteful. Nonetheless, thanks to the brouhaha over Mortal Kombat, SNK of Japan got cold feet when it came time to release the AES version of Samurai Shodown in North America. Fans of the arcade MVS game would be sorely disappointed to learn that all of the dismemberments had been removed and that the red blood splatters had been transformed into white sprays of sweat. For the first time, paying the $250 required to bring the AES cartridge home didn't mean that you were bringing home the complete arcade experience. Thanks to the fervor stemming from Mortal Kombat, the US home cartridge release of Samurai Shodown was censored. The red blood was turned white, and killing blows were removed. The censoring of Samurai Shodown garnered significant attention in the enthusiast magazines of the day, such as Die Hard Game Fan and Electronic Gaming Monthly, and led some NeoGeo AES owners to have debug BIOS chips installed in their consoles that would allow them to trick the game into displaying the blood and gore that was supposed to be there.

^ Yeo, Yong-joon (January 26, 2022). "[리뷰] 올해도 韓 콘텐츠로 세계 흔든다. 넷플릭스 '지금 우리 학교는'" [[Review] Shaking the world with Korean content this year. Netflix 'Now our school']. Global Economics (in Korean). Archived from the original on February 11, 2022.

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Votre aide est la bienvenue ! Comment faire ? Akira Kamiya : Kenshiro[43] Voix françaises[modifier | modifier le code] Philippe Ogouz : Ken, Uda (2e voix), Amiba (2e voix), Gulf (homme aux chiens) et Toki (voix de remplacement, ép. 65 et 66) Luc Florian : Raoul, Zayd, Joker, Kemada, Fang (Roi des Kibas) et Heart Jean-François Kopf : Shin, Toki, Jagger, Uda (1re voix), Shew (1re voix), Amiba (3e voix), M. Uyghur (chef de Cassandra), Rihaku, Fudô et Rei (voix de remplacement, ép. 45 et 46) Sophie Gormezano : Julia, Mamiya, Irié, Toh (fille de Ryaku), Lin (épisodes 1 à 9, 76 à 78, 83 à 91) et Bart (voix de remplacement, ép. 81, 82, 86 et 87) Patrick Messe : Rei, Sauzer, Juza, le général des armées de Shin, Jackal et Huey Jackie Berger : Bart (1re voix) Virginie Méry : Lin, Chiba, Bart (voix de remplacement, ép. 61, 76 à 78, 83 à 85, 89 à 91) et Mamiya (voix de remplacement, ép. 65) Daniel Beretta : Amiba (1re voix), Raoul (épisodes 74 et 75) Gérard Surugue : Shew (2e voix), Raoul (épisodes 67 à 69) Jacques Ferrière : Ryuga, Toki (voix de remplacement, ép. 67 et 68), Shew (voix de remplacement, ép. 67), Koryu (épisode 70) Philippe Ariotti : Shuren Luc Bernard : Ken (voix de remplacement, ép. 47 à 49) Brigitte Lecordier : Bart (voix de remplacement, ép. 10 à 12) Maryse Meryl : Bart (voix de remplacement, ép. Based on the manga of the same name, it’s a show that teaches more than about survival. If you’re ready to embark on this epic adventure, then be ready for a 24-episode saga like you’ve never experienced before.
Thorfinn Thorsson is the Icelandic protagonist, a character with complex personality driven with an ambition. After the death of his father, he becomes a warrior, someone who . will do whatever it takes to get his revenge. In this 11th century, the audience must understand how barbaric life is. Every day is an adventure where possibilities are almost limitless.
I know Japanese is kind of a confusing language to wrap your head around sometimes, but I think knowing the real title is “Squid Game” should get everyone on the same page. Anyway, the show begins with all the characters apparently suffering acute brain damage. God Yuichi and his friends, Tsundere Shiho, Glasses Tenji, Bleached Hair Shibe, and Yanderedere Kokorogi, are kidnapped and told they were all enlisted to play the game against their will when one of them secretly went behind everyone else’s back and applied to play because they were in serious debt. The idea is everyone takes on an equal share of the debt and plays through each round with the goal of working together to carry the load and incrementally decrease everyone’s debt at the same time, therefore supporting each other and ensuring everyone leaves with the group’s collective debt having been cleared (squids are known for being good friends fyi, very symbolic, very deep, yes, yes). However, if their bonds aren’t as deep or meaningful as they once thought, then betrayal and competition could lead to infighting that turns the Squid Game into a fierce contest wherein each player tries to saddle the others with their own debt to make sure they alone leave unscathed. The actual details of each game bounce between being utterly vague and misleading, to wildly meticulous and way too detailed for anyone to reasonably keep track of, but to even reach the games, the characters have to first consent to play.