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[46] A similar comment was given by ComicBookBin with the
reviewer claiming that his impression of
Vagabond was so impressive that it reminded him of the comic book Batman: The Dark Knight Returns, praising the way Inoue portrays violence in a realistic fashion. [47] Another aspect praised by the same website was the lack of large amount of dialogue needed to describe the characters. [48] Peter Fobian of Crunchyroll commented that Slam Dunk's Hanamichi Sakuragi and Musashi are similar protagonists being young, egotistical prodigies, but that "Musashi is a force of nature. " He went to call Inoue's take on Musashi unique when compared to the ones often depicted in fiction. [49] Comic Book Resources praised the way Musashi addresses Bushido, the Code of the Samurai, which makes him honorable. [50] The story arc where Musashi tries to take care of villagers as it retains the handling of Bushido but without relying on action and using other types of strength, was praised for retaining its pacing. [51][52] Japan Times regarded Musashi's growth from the ruthless warrior to a wise monk warrior to be well executed across the narrative. [53] While comparing the manga with the original novel, William Scott Wilson, the author of The Lone Samurai: The Life of Miyamoto Musashi, noted that the manga is darker and
more mature; yet, although "extraordinarily well drawn", it is "no substitute for Yoshikawa Eiji's work". [54] Los Angeles Times regarded Vagabond as a "samurai masterpiece" for the contrast it makes with the novel by deepening the characterization of Musashi and alternate take on the rival Kojiro. Another aspect praised by Los Angeles Times was how the protagonist makes philosophy about strength and his goal as the arc of the Yoshioka where the main character kills 70 men ends with him retaining severe wound on his foot that weakens him and makes him question what is being invincible. [55] According to Hobby Consolas, Vagabond deserves the praise it gets both in narrative and artwork theme.
Elle est entraînée dans les intrigues du palais et grâce à ses connaissances insoupçonnables en matière de poisons et une curiosité insatiable pour tout ce qui y touche, elle est repérée par l'intendant de la cour, Jinshi. En sauvant la fille de la concubine de l'empereur, Gyokuyō, elle devient sa dame de compagnie et sa goûteuse officielle. Jinshi (壬氏?) Voix japonaise : Takahiro Sakurai[3] (Drama CD) / Takeo Ōtsuka (ja)[7] (Anime), voix française : Julien Allouf[5],[6] Eunuque à la beauté surnaturelle, il officie à la cour intérieure où résident les concubines et leur personnel respectif en tant qu'intendant. Alors que son visage attire les hommes et les femmes du palais, il se trouve plutôt attiré par Mao Mao et
adore la taquiner car c'est l'unique personne qui semble ne pas être intéressée par lui. Gaoshun (高順?) Voix japonaise : Kenjiro Tsuda (ja)[3] (Drama CD)/ Katsuyuki Konishi (Anime), voix française :
Martial Le Minoux[5],[6] Le bras droit de Jinshi. C'est un homme responsable qui est quelquefois exaspéré par son maître.
Archived from the original on November 11, 2012. Retrieved February 15, 2022. ^ Loveridge, Lyenzee (September 20, 2013). "Urasawa's 20th Century Boys
Wins 2nd Eisner Award". Anime News Network. Archived from the original on
July 23, 2013.
