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[87] The voice acting has also been a subject of praise; Nick Creamer of ANN commended Sora Amamiya and Rie Takahashi's roles as Aqua and Megumin for the energy provided in their performances,[88] while Martin applauded Jun Fukushima for his work in voicing Kazuma, considering his dry tone an additional factor in the show's humor. [89] From the Legend of Crimson's release in Japan, Daryl Harding, writing for Crunchyroll News praised the story and comedy of the film noting that the "classic humor of (the TV series) translates well to a film runtime. " Daryl Harding did criticise the film by stating that "It doesn't look too different than the TV series" even with "more effects placed over the animation during scenes of explosive magic. "[90] In contrast, a common criticism of the anime was its inconsistent character animation, one that was described as "low budget" as characters appeared off-model. [86] Koichi Kikuta responded by stating such design was intentional, hoping to "bring out the individuality of each character" rather than the prettier artwork in the light novels; to do this, Kikuta's animation displayed "their more human sides, like their unflattering traits and their distressed moments. "[36] Crunchyroll's Kim Morrissy considered the animation to be humorous, especially fitting in a comedic anime. [86] Kotaku writer Richard Eisenbeis explained much of the series' humor derives from the deconstruction of Kazuma's hopes of becoming the hero of a fantasy world, instead realizing he is forced to struggle his way through the world. [85] Comparing Kazuma's problems in a fantasy world to those in real life, Creamer wrote about a sense of relatability between the series' protagonists and the audience, as the party deals with issues like debt and taking questionable jobs because of high pay. On a critical note, Creamer disapproved of Kazuma's negative attitude, which he felt harmed the comedy in the series. [88] KonoSuba's characters, especially those in Kazuma's party, have garnered favorable reactions in the anime community. Creamer described the group as possessing a "strange but endearing chemistry," as the members are unfriendly with one another, yet are close.

Archived from the original on 21 November 2021. Retrieved 21 October 2021. ^ White, Abbey (23 October 2021). "Location Managers Guild Awards: 'Judas and the Black Messiah, 'The Queen's Gambit' Among Winners". The Hollywood Reporter. Archived from the original on 24 October 2021. Retrieved 24 October 2021. ^ Roxborough, Scott (18 November 2021). "Omar Sy as 'Lupin' Wins Rose d'Or for Performance of the Year". The Hollywood Reporter. Archived from the original on 18 November 2021.

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Rather, it appears to primarily matter in cases where voters have low-information elections where voters may have little other to base their vote on (such as non-partisan elections with little media coverage),[39] first-past-the-post elections where voters chose a single candidate,[42] and in elections that are candidate-centered with a weak party system. [43] There are several variables that might contribute to the objectification of masculinity and femininity in politics. Scholar Charlotte Hooper argued that "gender intersects with other social divisions such as class, race and sexuality to produce complex hierarchies of (gendered) identities". [44] Hooper argues that institutional practices, such as military combat in war, have greatly defined what it means to be a man. Furthermore, the symbolic dimension, which includes sports, media, current affairs, etc. has "disseminate[d] a wealth of popular iconography which links Western masculinities to the wider world beyond the borders of the state". [45] This is where the ideology of lookism is firmly entrenched according to Hooper. Similarly, Laura Shepherd suggests that men are required to fit into the "matrix of intelligibility"[46] by acting a certain way, dressing a certain way, and have a mentality that is devoid of emotion or anything effeminate; if they are successful in becoming the ultimate "man's man" then they are virtually untouchable. However, others have suggested that there is only an explicit interest in the analysis of masculinity within this political sphere, it will be impossible to develop a reliable analysis of femininity within this same sphere. [47] Drawing examples from Madeleine Albright's TED talk in 2010, "On Being a Woman and Diplomat", Albright expressed her frustrations with how her male colleagues and media commentators would pick apart her appearance. Being the first female Secretary of State for the United States, Albright was in the spotlight on the domestic and international stage; everything from her age, weight, hairstyle, and choice of dress were scrutinized; yet ironically, the policy positions she believed to be her most important accomplishments (initiation of the G7, attempts to promote gender equality, etc. 2% were heterosexual women, 4. 7% were non-heterosexual men, and 1. 2% identified as "other". [107] Regarding age, 69% of respondents were between 16 and 25 years old. Maser's study reinforced the notion of the yuri fandom being split somewhat equally between men and women, as well as highlighting the differing sexualities within it. [108] Relation to lesbianism[edit] Semantic relationship[edit] While the term yuri is synonymous with lesbianism in the west, the relationship between yuri and lesbianism is more tenuous in Japan. While yuri was strongly associated with lesbianism in Japan in the 1970s and 1980s, the correlation between the terms has weakened over time. [109] Though Japanese fans, journalists, and publishers recognize that yuri and lesbianism share common characteristics, they can specifically segregate the terms as concepts, with Comic Yurihime editor Seitarō Nakamura stating that "in general, [yuri is] not [about] lesbians [rezubian] with a carnal relationship. "[109] Japanese lesbian and queer magazines in the 1990s often opposed the conflation of yuri with lesbianism, likely due to its prior connotation with male-oriented pornography. [109] Erin Subramian of Yuricon explains that most Japanese people see the term "lesbian" as describing either "abnormal people in pornography or strange people in other countries. "[110] Maser concurs that yuri is a genre primarily focused on ideals of beauty, purity, innocence, and spirituality before sexual identity; focus is placed on "connection between hearts" rather than "connection between bodies.
When the fight continued, Ippo got clinched, which broke after Ippo landed a liver blow to get out of the clinch. The first round then ended. In the second round, Ippo got out-ranged and his body began visibly steaming. Feeling lighter than usual, he jet towards Antonio too hard and loses balance when the latter touched him. Ippo hit Antonio with punches that draw blood even when blocked and downed Antonio once before the round ended. After Ippo declared a win to Kamogawa, the third round began.