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Retrieved April 5, 2023. ^ "イジらないで、長瀞さん(17)" [Don't Toy with Me, Miss Nagatoro (17)]. Kodansha Comics (in Japanese). Retrieved July 30, 2023. ^ "イジらないで、長瀞さん(19)" [Don't Toy with Me, Miss Nagatoro (19)]. Kodansha Comics (in Japanese). Retrieved June 8, 2020. ^ "Don't Toy With Me, Miss Nagatoro, Volume 8". Penguin Random House. Retrieved August 30, 2021. ^ 『イジらないで、長瀞さん(9)』(ナナシ)|講談社コミックプラス.

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Transliteration: "Hana to Nie" (Japanese: 花と贄)Kento ShintaniRisako YoshidaMay 13, 2023 (2023-05-13) Chobei and Toma are confronted by the two Tensen who see as humans as interlopers. Gabimaru's group encounters a young girl, but when he pursues her he finds that she has powerful abilities and is protected by a large wooden being. After they are both defeated by Gabimaru and Yuzuriha, the being offers to take them to a village. At the village, the wooden being Hoko and his young companion, Mei, offer them fruit and he tells them that they call the place Kotaku on the island of Shinsenkyo. The island is divided into three regions, the shore and forest is called "Eishu", the village is in "Hojo", and the elixir "Tan" is located in the central region of mists called "Horai" which is inhabited by the god-like Tensen who are immortal. Meanwhile, Chobei and Toma are easily defeated by the two lovers who are Tensen, and the brothers are dropped into a pit to be turned into flowers and become the source of Tan. At Sagiri's prompting, Gabimaru takes time to bathe and recalls his wife's advice to relax in order to be prepared for the battle ahead. 8"Student and Master"
Transliteration: "Deshi to Shi" (Japanese: 弟子と師)Fumito YamadaKaori MakitaMay 20, 2023 (2023-05-20) Tenza recalls his early life as a street urchin when he was taken in as a student by the master Yamada Asaemon Shion who recognized his potential. Tenza and Nurugai continue their circuit of the island, but are interrupted by an androgynous Tensen flame-colored hair which easily casts Tenza aside. Tenza uses his speed to slice at the Tensen, severing its head, but it regenerates itself and pursues them.
and Hollywood, to shame". She described it as a "very stylish, beautifully crafted series that deserves much more attention than it gets". Carpenter praised the animation as "a rarity and a marvel to behold" and that it was "beyond superb", and the plot and characterization as having "a sophistication and subtlety that is practically one-of-a-kind". She also praised the soundtrack, and hailed the opening theme as one of the best intro pieces she had ever heard. Carpenter went to say that Bebop was a "must-have for any serious collector of Japanese animation". [110] In his article "Asteroid Blues: The Lasting Legacy of Cowboy Bebop", The Atlantic writer Alex Suskind states, "On paper, Cowboy Bebop, the legendary cult anime series from Shinichirō Watanabe, reads like something John Wayne, Elmore Leonard, and Philip K.