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Anime Feminist. Archived from the original on October 3, 2023. Retrieved January 30, 2024. ^ Kaiser, Vrai (October 30, 2020). "2020 Fall Three-Episode Check-In: The Day I Became a God – Episode 1". Anime Feminist.

[a] The first six parts take place within a single continuity whose generational conflict stems from the rivalry between Jonathan Joestar and Dio Brando, while the latter three parts take place in an alternate universe where the Joestar family tree is heavily altered. Part 1: Phantom Blood (ファントムブラッド, Fantomu Buraddo) Volumes 1–5, 44 chapters. In late 19th-century England, Jonathan Joestar, the young son of a wealthy landowner, meets his new adopted brother Dio Brando, who loathes him and plans to usurp his position as heir to the Joestar family. When Dio's attempts are thwarted, he transforms himself into a vampire using an ancient Stone Mask and destroys the Joestar estate. Jonathan embarks on a journey, meets new allies, and masters the Hamon (波紋, "Ripple") martial arts technique to stop Dio, who has made world domination his new goal. Part 2: Battle Tendency (戦闘潮流, Sentō Chōryū) Volumes 5–12, 69 chapters. In 1938, German researchers discover three lifeforms called Pillar Men, powerful humanoids responsible for the creation of the Stone Mask. The Pillar Men awaken and escape in search of the Red Stone of Aja, which will turn them into invincible superbeings. Joseph Joestar, Jonathan's grandson, unites with new allies and masters Hamon to defeat the Pillar Men. Part 3: Stardust Crusaders (スターダストクルセイダース, Sutādasuto Kuruseidāsu) Volumes 13–28, 152 chapters. In 1989, Dio Brando (now referred to as only "DIO") awakens after his coffin is salvaged from the ocean.

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Macwilliams, Mark Wheeler (2008). Japanese Visual Culture: Explorations in the World of Manga and Anime. M. E. Sharpe. ISBN 978-0-7656-3308-8. Miller, Gerald Alva Jr. (2012). Exploring the Limits of the Human Through Science Fiction. Palgrave Macmillan. ISBN 978-1-137-26285-1. Tezuka's work—and that of other pioneers in the field—inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (also known as "mecha"), for instance, took shape under Tezuka, developed into the super robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino, who developed the real robot genre. [35] Robot anime series such as Gundam and Super Dimension Fortress Macross became instant classics in the 1980s, and the genre remained one of the most popular in the following decades. [36] The bubble economy of the 1980s spurred a new era of high-budget and experimental anime films, including Nausicaä of the Valley of the Wind (1984), Royal Space Force: The Wings of Honnêamise (1987), and Akira (1988). [37] Neon Genesis Evangelion (1995), a television series produced by Gainax and directed by Hideaki Anno, began another era of experimental anime titles, such as Ghost in the Shell (1995) and Cowboy Bebop (1998). In the 1990s, anime also began attracting greater interest in Western countries; major international successes include Sailor Moon and Dragon Ball Z, both of which were dubbed into more than a dozen languages worldwide. In 2003, Spirited Away, a Studio Ghibli feature film directed by Hayao Miyazaki, won the Academy Award for Best Animated Feature at the 75th Academy Awards. It later became the highest-grossing anime film,[b] earning more than $355 million. Since the 2000s, an increased number of anime works have been adaptations of light novels and visual novels; successful examples include The Melancholy of Haruhi Suzumiya and Fate/stay night (both 2006). Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train became the highest-grossing Japanese film and one of the world's highest-grossing films of 2020. [38][39] It also became the fastest grossing film in Japanese cinema, because in 10 days it made 10 billion yen ($95.