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"If I look at the one thorn that is in my side of all my life, it is my weight. I fret about it, I'm anxious about it, being an actor on TV - it drives me insane. It just seems to be something that plays a central part in waking up in the morning and thinking: "How am I with myself today?" - Deborah Mailman
You would think that for such a self-titled show that all you're gonna see is how these two central characters would blossom, right? But instead of the rose that we got with Hori and Miyamura's relationship, there are more thorns on the stem of the side characters, as significant or insignificant as they may be (that's to your POV that I won't judge). By themselves, the side characters can be taken as a side story altogether, but since they're connected to the main bubbly girl, I'd guess that this works primarily to advance their circumstances, rather than being tied onto the main couple, and for a rom-com that deems to be a romantic "drama" altogether, I'm not sure if mixing in too much of slice-of-life moments is a good choice. Pretty much like Tomozaki-kun, the
best way to
infer is through the clique method:
- Toru Ishikawa, Yuki Yoshikawa, Akane Yanagi and Hori herself. Toru being avid about his prospects of getting together with Hori only diminishes when he sees that the central couple are getting closer, quicker than it looks on the outside. Instead, he tries his best to steer clear of that direction, leading him to Yuki. but not quite the "closeness" as of yet. It's with the fickle-minded Yanagi that consciously brings Toru and Yuki close together, despite both playing the friendship treatment of going so far as to notice the affinities they have for each other.
[7] According to Obata, when he first received the rough draft created by Ohba, he "didn't
really get it" at first, and he wanted to work on the project due to the
presence of shinigami and because the work "was dark". [17] He also said he wondered about the progression of the plot as he read the thumbnails, and if Jump readers would enjoy reading the comic. Obata said that while there is little action and the main character "doesn't really drive the plot", he enjoyed the atmosphere of the story. He stated that he drew the pilot chapter so that it would appeal to himself. [17] Ohba brought the rough draft of the pilot chapter to the editorial department. Obata came into the picture at a later point to create the artwork. They did not meet in person while creating the pilot chapter. Ohba said that the editor told him he did not need to meet with Obata to discuss the pilot; Ohba said "I think it worked out all right". [7] Anime adaptation[edit] Tetsurō Araki, the director, said that he wished to convey aspects that "made the series interesting" instead of simply "focusing on morals or the concept of justice". Toshiki Inoue, the series organizer, agreed with Araki and added that, in anime adaptations, there is a lot of importance in highlighting the aspects that are "interesting in the original". He concluded that Light's presence was "the most compelling" aspect; therefore the adaptation chronicles Light's "thoughts and actions as much as possible".
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